Climate change, and the inevitability of sea level rise, will require much more of us than simply pulling back from the coastline. The thesis of Weston Wright's More Water Less Land New Architecture is that we need to start thinking in an entirely different way about the relationship of cities to waterfront sites and of the relationship of buildings to water, which means rethinking many of architecture's implicit premises. If architecture has been confrontational with water—think bold towers erected beside the sea, as if to dare the water to challenge them—Wright's argument is that we will need to be modest, accommodating, and accepting of the power and presence of water if our cities are to survive. He knows that nature is stronger than we are, and that best chance mankind has to build successfully will be to build with, not against, the reality of water. This is an important book, not least because its quiet, sober tone balances natural history with architectural history, and reaches across the world to show examples of architecture that accommodates to the water ranging from small vernacular houses on stilts to huge megastructures anchored like islands in the sea. Although Wright's argument transcends aesthetics or style, his book is, in the end, a case for the strength that comes from restraint, and perhaps even for the lasting power of gentlenes

The fresh, clean taste of New York's water is legendary. Less well known is the story of the program of exploration and construction to achieve such purity. The story is told in Water-Works and illustrated with an archive of drawings and photographs documenting the design and construction of dams, reservoirs, aqueducts, and tunnels.

"The work of Polhemus Savery DaSilva Architects Builders reflects the special qualities of Cape Cod, Martha's Vineyard, and Nantucket." "Architecture of the Cape God Summer presents more than ten years of evocative design and well-crafted construction that is rooted in this tabled place. In an architectural world increasingly polarized between strict revivalist classicism and "avant-grade" abstraction, the work of Polhemus Savery DaSilva displays a compelling third way." "The book features twenty-five projects that range from modest to elaborate. Each is an individual creation tailored to its specific location and client. Several additional projects are depicted in a chronology of the firm's major work. Drawings by the firm and more that four hundred color photography by leading architectural photographers illustrate this sixth volume of the New Classicists series."--BOOK JACKET.

The Modern movement began in the 1920s when a small group of young architects felt all that had gone before should be rejected and that architectural design should start afresh. This fresh start, they declared, should be based on modern technology and a new, modern approach to life. Their innovations became the 20th century's dominant movement in architecture, crystallizing into the international style of the 1920s and '30s. In "Exploding the Myths of Modern Architecture, " Malcolm Millais explores the forces and factors that led to the emergence of the Modern movement, arguing that it was based on completely false premises. Millais offers a rarely heard perspective on the Modern movement, explaining its failures and how the well-meaning "revolutionaries" behind it gained and maintained power.

Resource added for the Landscape Horticulture Technician program 100014.

Hollow Land is a groundbreaking exploration of the political space created by Israel’s colonial occupation. In this journey from the deep subterranean spaces of the West Bank and Gaza to their militarized airspace, Eyal Weizman unravels Israel’s mechanisms of control and its transformation of the Occupied Territories into a theoretically constructed artifice, in which all natural and built features function as the weapons and ammunition with which the conflict is waged. Weizman traces the development of these ideas, from the influence of archaeology on urban planning, Ariel Sharon’s reconceptualization of military defense during the 1973 war, through the planning and architecture of the settlements, to contemporary Israeli discourse and practice of urban warfare and airborne targeted assassinations. In exploring Israel’s methods to transform the landscape and the built environment themselves into tools of domination and control, Hollow Land lays bare the political system at the heart of this complex and terrifying project of late-modern colonial occupation.