Once, Hannah Manning was an internationally-renowned journalist and war correspondent. Today, she’s a woman suffering from a traumatic brain injury. Unable to read, unable to concentrate, full of pain, lost and confused, haunted by her memories, Hannah goes to her sister’s small-scale vegetable farm in Prince Edward County, Ontario to recover. As summer settles on the farm, she finds comfort in the soft rolling hills and neat fields as well as friendship in the company of Hila Popalzai, an Afghan woman also traumatized by war. Unable to read the printed word, Hannah retreats into the attic and boxes of moldy letters that have accumulated for more than two centuries. As she learns about the original settlers of this land, Loyalist refugees fleeing the United States in 1784, she is increasingly drawn to the space beneath the old house. More than carrots and potatoes, soups and jams, are down in the dark damp root cellar. Hannah experiences visions of a woman, emerging from the icy cold mist. Is the woman real? Or the product of a severely damaged brain? Which would be worse? Then Hila disappears. When Hannah cannot account for her time, not even to herself, old enemies begin to circle. In this modern Gothic novel of heart-wrenching suspense, past and present merge into a terrifying threat to the only thing Hannah still holds dear – her ten-year-old niece, Lily.

A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.

Sorrow all but rules the Court of Tears, in a land gripped by perpetual grief, forever mourning her brother who died just days before Sorrow was born. By day she governs in place of her father, by night she seeks secret solace in the arms of the boy she's loved since childhood. But when her brother is seemingly found alive, and intent on taking control, Sorrow has to choose whether to step aside for a stranger who might not be who he claims to be, or embark on a power struggle for a position she never really wanted.

One kingdom. One crown. One family. “Maybe it’s time the great House of Rey came to an end. After all, what are we now? Just a house of rage and sorrow.” Esmae once wanted nothing more than to help her golden brother win the crown of Kali but that dream died with her best friend. Alexi broke her heart, and she vowed to destroy him for it. And with her sentient warship Titania beside her, how can she possibly fail? As gods, beasts, and kingdoms choose sides, Alexi seeks out a weapon more devastating than even Titania. Past lives threaten the present. Old enemies claim their due. And Esmae cannot outrun the ghosts and the questions that haunt her. What really happened to her father? What was the third boon her mother asked of Amba? For in the shadows, lurking in wait, are secrets that will swallow her whole. The House of Rey is at war. And the entire galaxy will bleed before the end.

A radical reimagining of the minotaur myth, from an essential voice in world literature. Winner of the Jan Michalski Prize for Literature • Finalist for the PEN Literary Award for Translation and the Strega Europeo Published a decade before his International Booker Prize–winning Time Shelter, Georgi Gospodinov’s The Physics of Sorrow has become an underground cult classic. Finding strange solace in the myth of the Minotaur, a man named Georgi reconstructs the story of his life like a labyrinth, meandering through the past to find the melancholy child at the center of it all. With profound wit and empathy, he catalogues curious instances of abandonment, spanning from antiquity to the Anthropocene; recounts scenes of a turbulent boyhood in 1970s Bulgaria, spent mostly in a basement; and charts a bizarre run-in with an eccentric flaneur named Gaustine. Exquisitely translated by Angela Rodel, and exhibiting his signature audacious style, this expansive work affirms Gospodinov as “one of Europe’s most fascinating and irreplaceable novelists” (Dave Eggers).