Featured in this volume are a wide range of voices and characters with a more international focus.

This unique collection of monologues for women contains fifty pieces by women playwrights from all over the country.

Audition monologues for female characters selected from recent works by American playwrights including Tony Kushner, Jon Robin Baitz, Constance Congdon, Paula Vogel, Donald Margulies, Emily Mann, Eric Bogosian, Nicky Silver, and others. Unique to the TCG monologue series is a bibliography of other works by the playwrights included.

Audition monologues selected from plays first published in American theatre magazine since 1985.

As a director and instructor, and adminstrator of the Jane Chambers Memorial Playwriting Award, Haring-Smith draws on her experience in the theatre, arguing that actors constantly use the same sources for monologues. This second volume presents material from significant female playwrights.

Editors Tori Haring-Smith and Liz Engelman present fifty-nine previously unpublished monologues written by some of the most inspiring and exciting women now emerging onto the international stage

Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.