Provides information on the histories, performance, specifications, and accessories of fifty classic American automobiles

This encore to the hugely successful Great American Dream Machines is a spectacular full-color celebration of 50 more vintage American automobiles, from a professional photographer and automobile consultant to the movie and television industries. 100 photos.

Illustrations and text about sixty-five classic cars including "T-Birds, Vettes, Caddys, Mustangs, Chevys, Packards, Lincolns and many more."--Cover.

In the 1890s Colonel Albert A. Pope was hailed as a leading American automaker. That his name is not a household word today is the very essence of his story. Pope's production methods as the world's largest manufacturer of bicycles led to the building of automobiles with lightweight metals, rubber tires, precision machining, interchangeable parts, and vertical integration. The founder of the Good Roads Movement, Pope entered automobile manufacturing while steam, electricity, and gasoline power were still vying for supremacy. The story of his failed dream of dominating U.S. automobile production is an engrossing view into America's industrial history.

Explores the rise of computer technology, and tells the stories of the scientists, engineers, visionaries, and others whose efforts developed the complex machines.

There is no better way to understand America than by understanding the cultural history of the American Dream. Rather than just a powerful philosophy or ideology, the Dream is thoroughly woven into the fabric of everyday life, playing a vital role in who we are, what we do, and why we do it. No other idea or mythology has as much influence on our individual and collective lives. Tracing the history of the phrase in popular culture, Samuel gives readers a field guide to the evolution of our national identity over the last eighty years. Samuel tells the story chronologically, revealing that there have been six major eras of the mythology since the phrase was coined in 1931. Relying mainly on period magazines and newspapers as his primary source material, the author demonstrates that journalists serving on the front lines of the scene represent our most valuable resource to recover unfiltered stories of the Dream. The problem, Samuel reveals, is that it does not exist; the Dream is just that, a product of our imagination. That it is not real ultimately turns out to be the most significant finding and what makes the story most compelling.