In a sequel to True Confessions of a Hollywood Starlet, teen movie star Morgan Carter, after her true identity is exposed, must choose between staying in the Midwest with her new boyfriend, or returning to her glamorous life. Reprint.

Teen movie star Morgan Carter retreats to a small midwestern town to recuperate anonymously after an overdose and rehabilitation, recording her thoughts in a diary.

Having unexpectedly landed a role in a movie being shot at her high school, Jessie discovers that movie stars and the film industry are not as glamorous as she once thought.

“IN THIS THIRD ACT OF MY LIFE, MUCH HAS BECOME CLEARER. SO MUCH IS OVER, AND I AM OVER SO MUCH . . .” At a certain time in life, we all come to realize what is truly important to us and what just doesn’t matter. For Shirley MacLaine, that time is now. In this wise, witty, and fearless collection of small observations and big-picture questions, she shares with readers all those things that she is over dealing with in life, in love, at home, and in the larger world . . . as well as the things she will never get over, no matter how long she lives. Among the things that Shirley is over: people who repeat themselves (“when you didn’t care what they said the first time”); conservatives and liberals; ill-mannered young people; the poison of celebrity (“Why do so many people want to be famous when they see how it can destroy your life?”); being polite to boring people (“If they won’t stop talking, I go into a trance and meditate”); getting older in Hollywood (“How peaceful it is not to have to look particularly pretty anymore or to wear a size 6”). In the opposite camp, there are some things Shirley will never get over: good lighting (“Marlene Dietrich taught me how to light myself”); gorgeous costars (“The vanity of male actors is an impossible wall to scale”); performing live (“Yes, it is better than sex”); and above all, brave people with curious minds (“Fear is the most powerful weapon of mass destruction”). Along the way, she recalls stories of some of the true greats she has known—Alfred Hitchcock, Elizabeth Taylor, Frank Sinatra, the two Jacks (Lemmon and Nicholson)—and ruminates on the state of Hollywood past and present. She recollects her relationships and romances with politicians (including two prime ministers), scientists, journalists, and costars. An unabashed seeker of truth and unrepentant free spirit, Shirley looks squarely at a world that can irritate, confuse, and provoke her, but that can also delight her with its beauty, humor, and future promise. Reading I’m Over All That will make you feel you have been reunited with an old friend who tells it like it is but never takes herself too seriously. Shirley MacLaine may be over all that, but this irresistible book ensures that we will never get over her.

If you could get a star on the Hollywood Walk of Fame for anything at all, what would it be? This writing assignment, given out in Ms. Hart's tenth-grade creative writing class, sparks a group of nine students to tell his/her own story. Readers are introduced to Jake and Shante's interracial romance, Carlos' fear of deportation, and Sunday's determination after being sexually assaulted. These teens persevere through hardship and heartache, laughter and love, and in the end, their voices shine through inspiring journal entries that answer the question in unusual and unexpected ways. Once again, Brenda Woods shows a keen understanding of the teenage psyche, as she did in Emako Blue, winner of the 2005 IRA Children?s Choice Young Adult Fiction Award.

Phil Cresta was no run-of-the-mill thief. Mastermind of the legendary Brink's armored truck robbery and a string of countless other high-stakes heists, he stole more than ten million dollars in escapades that often were breathtakingly daring and at times marvelously inventive. The robberies baffled both police and fellow outlaws for decades, and most of the crimes remain unsolved today. Now the open case files of these memorable thefts can be closed as Cresta himself provides the true story on how they were planned and carried out. Born in Boston's North End in 1928, Cresta was raised in an abusive household. He was sent to Concord Reformatory as a teenager, where he learned the craft of picking locks, a skill later honed during stays at the Charlestown and Walpole prisons in Massachusetts. Following the Brinks robbery in 1968, he was put on the FBI's Ten Most Wanted List, but eluded the law for five years, living in Chicago under an assumed name. After serving time at Walpole for the Brinks job, Cresta died penniless in Chicago in 1995. Yet shortly before his death, he revealed the full extent of his astonishing capers to coauthor Bill Crowley, a retired Boston police detective. Drawing from their extensive conversations, this riveting page-turner chronicles how Cresta, along with partners "Angelo" and "Tony," pulled off robberies of jewelers, rare coin dealers, furriers, and armored trucks, detailing the meticulous planning that marked his criminal career. Cresta's final accounting is brimming with vivid tales of betrayal, murder, and intrigue as well as a colorful cast of characters, including mob bosses, wise guys, informants, paid "ears," corrupt judges, a Hollywood starlet, and even the Mayor of Chicago. Filled with drama, tension, and humor, this absorbing saga takes the reader inside the dangerous yet exhilarating world of a life dedicated to crime.

Part biography, part true-crime narrative, this painstakingly researched book chronicles the improbable rise and stunning fall of Roscoe “Fatty” Arbuckle from his early big screen success to his involvement in actress Virginia Rappe’s death, and the resulting irreparable damage to his career. It describes how during the course of a rowdy party hosted by the comedian in a San Francisco hotel, Rappe became fatally ill, and Arbuckle was subsequently charged with manslaughter. Ultimately acquitted after three trials, neither his career nor his reputation ever recovered from this devastating incident. Relying on a careful examination of documents, the book finally reveals what most likely occurred that Labor Day weekend in 1921 in that fateful hotel room. In addition, it covers the evolution of the film industry—from the first silent experiments to the connection between Arbuckle’s scandal and the implementation of industry-wide censorship that altered the course of Hollywood filmmaking for five decades.