More Christmas Duets for Flute and Cello is a collection of 26 wonderful traditional carols arranged especially for two players of a similar standard who know all the basics. It extends the exciting Christmas repertoire in our Christmas Duets series. Great for playing with friends, entertaining the family and even busking. Both players get to play the tune. All pieces are in easy keys. Includes: Angels from the Realms, Boar's Head Carol, Gaudeamus, Gloucestershire Wassail, In Dulci Jubilo, Infant Holy, O Christmas Tree, O Come O Come Emmanuel, O Little Town of Bethlehem, Past 3 O'Clock, Sans Day Carol, See Amid the Winter's Snow, Twelve Days of Christmas, and includes songs from France, Ireland and Poland.More from The Flying Flute and Chortling Cello on our website. Look out for duets arranged for mixed instruments: Flute, Clarinet, Bassoon, Oboe, Saxophone, Recorder, Trumpet, Trombone, Tuba, Violin, Viola, Cello and Double Bass!We have a spectacular variety of duet books, a gargantuan selection of festive books (including Halloween!) and even downloadable backing tracks and sheet music on our website. Just visit http://WildMusicPublications.com

Looking for intriguingly beautiful early-intermediate violin holiday duets? Sailing into Bethlehem: Christmas Duets for Two Violins gives you a chance to play the carols you love with your teacher, your students, or your friends. Weaving melodies with accompaniment, Myanna Harvey has created a Christmas book in the style of Flying Fiddle Duets for Two Violins. Playable, enjoyable, performable: these duets are a welcome addition to the Christmas chamber music repertoire. Know any violists or cellists? You can pick up a copy of theviola book or the cello book and play with those instruments as well; the viola book is fully compatible with the viola and cello books! Here's the technical nitty-gritty: -all in first position -in keys of G, C, and D

Division of measure includes counting rest values as well as note values. A mistake in counting note values while playing is heard and corrected by the instructor, but counting rest values is a silent business and difficult at times for the instructor to detect just where the mistake was made, or who made the mistake. 101 Rhythmic Rest Patterns will help solve that problem, as the unison feature will enable the instructor and the whole ensemble to count aloud all in unison, on any or all rest patterns until each rest pattern is perfect.

A nationally recognized expert in teaching private voice, Joan Boytim has compiled some of the most widely used vocal collections in the US. Her clinics about various aspects of teaching voice, literature, and running a voice studio have been attended by thousands of teachers. Now that professional wisdom has been put into a new book indispensible for independent instructors, The Private Voice Studio Handbook. Its chapters address, in practical detail, topics such as - starting a private voice studio; equipment and space; recruiting and accepting students; ideas for the very first lesson with a student; studio policies, guidelines and ethics; teaching music reading; recommended syllable drills and vocalises; lesson plans; practice procedures; choosing repertoire suitable to students' abilities; finding appropriate sacred solos; accounting and record-keeping; tax, insurance and retirement advice; techniques for teaching voice to children and adults; planning studio recitals; and many more. An excellent resource for college and university voice faculty.