Whether in search of adventure and opportunity or fleeing poverty and violence, millions of people migrated to Argentina in the nineteenth and early twentieth centuries. By the late 1920s Arabic speakers were one of the country’s largest immigrant groups. This book explores their experience, which was quite different from the danger and deprivation faced by twenty-first-century immigrants from the Middle East. Hyland shows how Syrians and Lebanese, Christians, Jews, and Muslims adapted to local social and political conditions, entered labor markets, established community institutions, raised families, and attempted to pursue their individual dreams and community goals. By showing how societies can come to terms with new arrivals and their descendants, Hyland addresses notions of belonging and acceptance, of integration and opportunity. He tells a story of immigrants and a story of Argentina that is at once timely and timeless.

The world of Argentine tango presents a glamorous façade of music and movement. Yet the immigrant artists whose livelihoods depend on the US tango industry receive little attention beyond their enigmatic public personas. More Than Two to Tango offers a detailed portrait of Argentine immigrants for whom tango is both an art form and a means of survival. Based on a highly visible group of performers within the almost hidden population of Argentines in the United States, More than Two to Tango addresses broader questions on the understudied role of informal webs in the entertainment field. Through the voices of both early generations of immigrants and the latest wave of newcomers, Anahí Viladrich explores how the dancers, musicians, and singers utilize their complex social networks to survive as artists and immigrants. She reveals a diverse community navigating issues of identity, class, and race as they struggle with practical concerns, such as the high cost of living in New York City and affordable health care. Argentina’s social history serves as the compelling backdrop for understanding the trajectory of tango performers, and Viladrich uses these foundations to explore their current unified front to keep tango as their own “authentic” expression. Yet social ties are no panacea for struggling immigrants. Even as More Than Two to Tango offers the notion that each person is truly conceived and transformed by their journeys around the globe, it challenges rosy portraits of Argentine tango artists by uncovering how their glamorous representations veil their difficulties to make ends meet in the global entertainment industry. In the end, the portrait of Argentine tango performers’ diverse career paths contributes to our larger understanding of who may attain the “American Dream,” and redefines what that means for tango artists.

VCU CABELL FIRST NOVELIST AWARD FINALIST CENTER FOR FICTION FIRST NOVEL PRIZE LONGLIST “A debut novel as impressive as they come. Tough, wily, dreamlike.” —Seattle Times A decade after fleeing for his life, a man is pulled back to Argentina by an undying love. In 1976, Tomás Orilla is a medical student in Buenos Aires, where he has moved in hopes of reuniting with Isabel, a childhood crush. But the reckless passion that has long drawn him is leading Isabel ever deeper into the ranks of the insurgency fighting an increasingly oppressive regime. Tomás has always been willing to follow her anywhere, to do anything to prove himself. Yet what exactly is he proving, and at what cost to them both? It will be years before a summons back arrives for Tomás, now living as Thomas Shore in New York. It isn’t a homecoming that awaits him, however, so much as an odyssey into the past, an encounter with the ghosts that lurk there, and a reckoning with the fatal gap between who he has become and who he once aspired to be. Raising profound questions about the sometimes impossible choices we make in the name of love, Hades, Argentina is a gripping, ingeniously narrated literary debut.

When she hears about the suicide of a Buenos Aires train driver who has left a note confessing to four mortal ‘accidents’ on the train tracks, journalist Veronica Rosenthal decides to investigate. For the police the case is closed (suicide is suicide), for Veronica it is the beginning of a journey that takes her into an unfamiliar world of grinding poverty, crime-infested neighborhoods, and train drivers on commuter lines haunted by the memory of bodies hit at speed by their locomotives in the middle of the night. Aided by a train driver with whom she has a tumultuous and reckless affair, a junkie in rehab and two street kids willing to risk everything for a can of Coke, she uncovers a group of men involved in betting on working-class youngsters convinced to play Russian roulette by standing in front of fast-coming trains to see who endures the longest.

N this comprehensive history, updated to include the climactic events of the five years since the Falklands War, Professor Rock documents the early colonial history of Argentina, pointing to the colonial forms established during the Spanish conquest as the source for Argentina's continued reliance on foreign commercial and investment partnerships. The collapse of Argentina's close western European ties after World War II is thus seen as the underlying cause for her current economic and political crisis.

For more than one hundred years, the Conquest of the Desert (1878–1885) has marked Argentina’s historical passage between eras, standing at the gateway to the nation’s “Golden Age” of progress, modernity, and—most contentiously—national whiteness and the “invisibilization” of Indigenous peoples. This traditional narrative has deeply influenced the ways in which many Argentines understand their nation’s history, its laws and policies, and its cultural heritage. As such, the Conquest has shaped debates about the role of Indigenous peoples within Argentina in the past and present. The Conquest of the Desert brings together scholars from across disciplines to offer an interdisciplinary examination of the Conquest and its legacies. This collection explores issues of settler colonialism, Indigenous-state relations, genocide, borderlands, and Indigenous cultures and land rights through essays that reexamine one of Argentina’s most important historical periods.