After much persuasion from Ranger Milten Yorkie and all the gang from Maryland Zoo, I felt compelled to write a follow up book in the Eidland series called More Zany Adventures from Eidland. This book is as zany as the first book 'The Thrilling Adventures of Life in Eidland'. Within the covers of this Book readers will meet even more characters from Eidland including the ever busy Bodget Brothers, Eidland's thrifty car repair service, so if we've whetted your appetite, just buy the book. You will not regret it. You will die of laughter because it is a real scream.

The Great White shark that is one of the most feared and completely misunderstood creatures in the ocean became part of my 38 years of free diving and spearfishing on the South African and Mozambique coast. I had several encounters with this creature and not only the White shark but numerous of the other shark species were encountered during this time. Since the White shark fascinated me and although I had some close encounters, I never felt that this shark was a man eater but rather a curious creature wanting to inspect the unknown. A swimming human kicking with the legs will attract a White shark and most swimmers are bitten on the legs. All of this was motivation to start a cage diving operation to introduce the White shark to the many tourists that visit South Africa. This book was written to give people an insight into part of my experiences and also better understand the Great White shark.

Containing more than 600 entries, this valuable resource presents all aspects of travel writing. There are entries on places and routes (Afghanistan, Black Sea, Egypt, Gobi Desert, Hawaii, Himalayas, Italy, Northwest Passage, Samarkand, Silk Route, Timbuktu), writers (Isabella Bird, Ibn Battuta, Bruce Chatwin, Gustave Flaubert, Mary Kingsley, Walter Ralegh, Wilfrid Thesiger), methods of transport and types of journey (balloon, camel, grand tour, hunting and big game expeditions, pilgrimage, space travel and exploration), genres (buccaneer narratives, guidebooks, New World chronicles, postcards), companies and societies (East India Company, Royal Geographical Society, Society of Dilettanti), and issues and themes (censorship, exile, orientalism, and tourism). For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Literature of Travel and Exploration: An Encyclopedia website.

Containing more than 600 entries, this valuable resource presents all aspects of travel writing. There are entries on places and routes (Afghanistan, Black Sea, Egypt, Gobi Desert, Hawaii, Himalayas, Italy, Northwest Passage, Samarkand, Silk Route, Timbuktu), writers (Isabella Bird, Ibn Battuta, Bruce Chatwin, Gustave Flaubert, Mary Kingsley, Walter Ralegh, Wilfrid Thesiger), methods of transport and types of journey (balloon, camel, grand tour, hunting and big game expeditions, pilgrimage, space travel and exploration), genres (buccaneer narratives, guidebooks, New World chronicles, postcards), companies and societies (East India Company, Royal Geographical Society, Society of Dilettanti), and issues and themes (censorship, exile, orientalism, and tourism). For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Literature of Travel and Exploration: An Encyclopedia website.

At the heart of Wordsworth's concerns is the question of how travel - both foreign and everyday - might also become an adventure into philosophy itself. This is an art of travel both as an approach to experience - one that draws on habits in order to revise them in the shock of new - and as a poetic approach that gives voice to the singular and foreign through the unique shapes of verse. Close readings of Wordsworth's 'pictures of Nature, Man, and Society' show how the natural is entangled with - and not simply opposed to, as many critics have suggested - the social, the political and the historical in this verse. This book draws on both eighteenth-century anthropology and travel literature, and debates in modern critical theory, to highlight Wordsworth's remarkable originality and his ongoing ability to transform our theoretical prejudgements in the unknown territory of the travel encounter.