OPERN SINGEN, EINE FREMDSPRACHE SPRECHEN UND MORDE AUFKLÄREN Das ist alltägliche Arbeit für Myra Barnett, eine Amerikanerin an der Frankfurter Oper, an der sie ihren ersten Vertrag als Chorsängerin hat. MORD ODER FOUL PLAY? Eine Kollege kommt auf mysteriöse Weise ums Leben bei einem „Unfall“ auf der Bühne, und sie ist fest entschlossen zu beweisen, dass es Mord war. Kann sie den steifen deutschen Inspektor davon überzeugen, dass es so war? Und wie kann sie Beweise finden, um ihn zu überzeugen? DIE HANDLUNG ENTWICKELT SICH Als sie die Besitztümer ihres Kollegen durchsieht, stößt sie auf viele Geheimnisse aus seiner Vergangenheit, die sie noch nicht kannte, vor allem eine frühere Liebesgeschichte in einem anderen Land. Faszinierend. VERDAMMT SEI DIESE FRAU Ich muss etwas tun, um diese Frau zu stoppen, die sich in alles einmischt und versucht zu beweisen, dass er tatsächlich ermordet wurde. Vielleicht sollte sie auch einen Unfall haben.

The story of the former Polish-Jewish community (shtetl) of Luboml, Wołyń, Poland. Its Jewish population of some 4,000, dating back to the 14th century, was exterminated by the occupying German forces and local collaborators in October, 1942. Luboml was formerly known as Lyuboml, Volhynia, Russia and later Lyuboml, Volyns'ka, Ukraine. It was also know by its Yiddish name: Libivne.

Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in historical, economic, and artistic contexts. . In spite of Schlöndorff’s successes with films like The Lost Honor ofKatharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depthcritical study of the filmmaker’s career.

An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.

Drawing on a wide range of archival sources, this book provides a comprehensive history of the Frankfurt Auschwitz trial.

With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.

First published in English in 2007 under title: The history of terrorism: from antiquity to al Qaeda.