Amidst the soot, stink and splendour of Victorian London, a coterie of citizen-sociologists set out to break up the British Empire. They were the followers of the French philosopher Auguste Comte, a controversial figure who introduced the modern science of sociology and the republican Religion of Humanity. Moralising Space examines how from the 1850s Comte’s British followers practised this science and religion with the aim to create a global network of 500 utopian city-states. Curiously the British Positivists’ work has never been the focus of a full-length study on modern sociology and town planning. In this intellectual history, Matthew Wilson shows that through to the interwar period affiliates to the British Positivist Society – Richard Congreve, Frederic Harrison, Charles Booth, Patrick Geddes and Victor Branford – attempted to realise Comte’s vision. With scarcely used source material Wilson presents the Positivists as an organised resistance to imperialism, industrial exploitation, poverty and despondency. Much to the consternation of the church, state and landed aristocracy they organised urban interventions, led ad hoc sociological surveys and published programmes for realising idyllic city-communities. Effectively this book contributes to our understanding of how Positivism, as a utopian spatial design praxis, heavily influenced twentieth-century architecture and planning.

In addition to being the author of the Parallel Lives of noble Greeks and Romans, Plutarch of Chaeronea (AD c.46-c.120) is widely known for his rich ethical theory, which has ensured him a reputation as one of the most profound moralists in antiquity and beyond. Previous studies have considered Plutarch's moralism in the light of specific works or group of works, so that an exploration of his overall concept of ethical education remains a desideratum. Bringing together a wide range of texts from both the Parallel Lives and the Moralia, this study puts the moralising agents that Plutarch considers important for ethical development at the heart of its interpretation. These agents operate in different educational settings, and perform distinct moralising roles, dictated by the special features of the type of moral education they are expected to enact. Ethical education in Plutarch becomes a distinctive manifestation of paideia vis-à-vis the intellectual trends of the Imperial period, especially in contexts of cultural identity and power. By reappraising Plutarch's ethical authority and the significance of his didactic spirit, this book will appeal not only to scholars and students of Plutarch, but to anyone interested in the history of moral education and the development of Greek ethics.

Collective remittances, that is to say development initiatives carried out by immigrant groups for the benefit of their place of origin, have been attracting growing attention from both academics and policy makers. Focusing on hometown organisations, this book analyses the social mechanics that are conducive to collective transnationalism.

As innovations in military technologies race toward ever-greater levels of automation and autonomy, debates over the ethics of violent technologies tread water. Death Machines reframes these debates, arguing that the way we conceive of the ethics of contemporary warfare is itself imbued with a set of bio-technological rationalities that work as limits. The task for critical thought must therefore be to unpack, engage, and challenge these limits. Drawing on the work of Hannah Arendt, the book offers a close reading of the technology-biopolitics-complex that informs and produces contemporary subjectivities, highlighting the perilous implications this has for how we think about the ethics of political violence, both now and in the future.

Provides the first authoritative study of Galen's moralising discourse in relation to and beyond his proficiency in medicine.

Governance and Public Space in the Australian City is a rich and evocative examination of the production and use of public spaces in Australian cities in the late-nineteenth and early-twentieth centuries. Using Brisbane as a case study, it demonstrates the way public spaces were constructed, contested, and controlled in attempts to create ‘ideal’ city spaces. This construction of space is considered not just in the literal and material sense but also as a product of aspirational and imaginative processes of city-building by municipal authorities and citizens. This book is as much about people as it is about cities – uncovering the manner in which perceived models of ideal urban citizenship were reflected in the production and ordering of city spaces. This book challenges common narratives that situate public spaces as universal or equalising aspects of the urban sphere. Exploring three distinct types of public space – the streets, slums, and parks – the book questions how urban spaces functioned, alongside how they were intended to function. In so doing, Governance and Public Space in the Australian City situates public spaces as products of manipulation and regulation at odds with broader concepts of individual liberty and the ‘rights’ of people to public space. It will be illuminating reading for scholars and students of urban history and Australian history.

Women, visibility and morality in Kenyan popular media explores familiar constructions of femininity to assess ways in which it circulates in discourse, both stereotypically and otherwise. It assesses the meanings of such discourses and their articulations in various public platforms in Kenya. The book draws together theoretical questions on pre-convened scripts that contain or condition how women can circulate in public. The book asks questions about particular interpretations of womens bodies that are considered transgressive or unruly and why these bodies become significant symbolic sites for the generation of knowledge on morality and sexuality. The book also poses questions about genre and representations of femininity. The assertion made is that for knowledges of femininity to circulate effectively, they must be melodramatic, spectacular and scandalous. Ultimately, the book asks how such a theorisation of popular modes of representation enable a better understanding of the connections between gender, sexuality and violence in Kenya.