The shocking true crime story of child murderers Ian Brady and Myra Hindley, Great Britain’s most horrific serial killers. During the early 1960s, just as Beatlemania was exploding throughout the United Kingdom, a pair of psychopathic British killers began preying on the very young, innocent, and helpless of Greater Manchester. Between 1963 and 1965, Ian Brady and his lover and partner, Myra Hindley, were responsible for the abduction, rape, torture, and murder of five young victims, ranging in age from ten to seventeen years old. The English press dubbed the grisly series of homicides “the Moors Murders,” named for the desolate landscape where three of the corpses were eventually discovered. Based in part on the author’s face-to-face prison interviews with the killers, Fred Harrison’s fascinating and disturbing true crime masterwork digs deeply into Brady and Hindley’s personal histories to examine the factors that led to their mutual attraction and their evolution into the UK’s most notorious pair of human monsters. It was during these interviews that new details about the killers’ terrible crimes surfaced, compelling the police to reopen what was arguably the most shocking and sensational homicide case in the annuls of twentieth-century British crime. With a new introduction by the author, meticulously researched and compellingly written, Brady and Hindley is the definitive account of Britain’s most hated serial killers.

Since May 1966 when Ian Brady and Myra Hindley were sentenced to life imprisonment at Chester Assizes the British public has been absorbed and horrified by the Moors Murders. Ian Brady has often been aptly described as ‘the most evil man alive’ or ‘the Daddy of the Devils’, while Myra Hindley, Britain’s first female serial killer, became the most hated woman in Britain. Here is the definitive account, drawing on exclusive, never-before-seen material. It changes forever our understanding of the Moors couple and their heinous crimes. Why did they do it? What actually happened? Unlikely as it may appear to those detectives, psychiatrists, authors, criminologists, journalists and the victims’ families, who have all sought in their own ways for decades to discover it, this book is possibly as near as we shall ever get to understanding how the victims died. It proves beyond question that the parents of the victims were right all along in their claims about Hindley’s part in the murders. Did Brady give an account to anyone of his life, Myra Hindley and their crimes before he died? Yes, he did - here it is.

Ian Brady and Myra Hindley's spree of torture, sexual abuse, and murder of children in the 1960s was one of the most appalling series of crimes ever committed in England, and remains almost daily fixated upon by the tabloid press. In The Gates of Janus, Ian Brady himself allows us a glimpse into the mind of a murderer as he analyzes a dozen other serial crimes and killers. Criminal profiling by a criminal was not invented by the dramatists of Dexter. Novelist and true-crime writer Colin Wilson, author of the famous and influential book The Outsider, remarks in his introduction to Brady's book that one must first explore the depraved reaches of human consciousness to truly understand human character. When first released in 2001, The Gates of Janus sparked controversy attended by a huge media splash. The new edition, the first in paperback, provides the reader with a decade and a half of updates, including Brady's letters to the publisher, both providing information regarding his own demented history along with demands that Feral House remove its unflattering afterword written by author Peter Sotos.

This is a look at Ian Brady and Myra Hindley, the Moors Murderers. The text covers the murders, their perpetrators and the detection that led to Brady and Hindley's arrest.

Fifty years after the Moors Murders and 15 years since Myra Hindley died in prison, after one of the longest sentences served by a woman, this book raises some delicate and searching questions. They include: “Why was Hindley treated differently?”, “Why do we need to create demons?” and “What impact does this have on our whole notion of crime, punishment and justice?” Set against the political backlash of one of the most noto­rious cases in English criminal history, The Monstering of Myra Hindley is a perceptive, first-hand portrayal of the most talked-about and maligned of women. Nina Wilde invites readers to hold back any adverse preconceptions as she seeks to show how the media selected Hindley as a monster and the politics at play around her de-humanising captivity. She compares how things are done in some other European countries and how the UK itself routinely releases others equally bad (arguably worse) quietly and away from the public gaze. Everyone, the author included, recognises the plight of the victims but this should not be allowed to mask other wrongs that, with hindsight, become increasingly apparent in Hindley’s case. Reviews 'The book has two main arguments. Hindley was treated as she was first because she was a woman and consequently what she did was worse because she was a woman. Second the unfairness she experienced was because the press would not leave her alone and continually brought up the story and the evil nature of her character... I think Wilde is right on both counts... the book is written well and makes the above arguments well. It thus serves as a reminder that tariff decisions on life imprisonment should be decided upon by the judiciary and that they should be carried out without political bias or influence.'-- Prison Service Journal; 'I think she became a national scapegoat for that part of the social mind that is cruel and has contempt for vulnerability'— Dr Gwen Adshead