Idealistic, Earth-born Major Leith Eaglefeather believes he's on Palmares to protect its citizens, as well as its quilidon mines, from the shadowy rebels called the Kituhwa. But after a few weeks on the beautiful, unspoiled violet planet, he's beginning to realize there's another side to the story. The so-called Peacekeeping Forces are behaving more like an occupying army. And Palmaran dissidents say thai mining on the moons of Palmares is causing deadly earthquakes. Are Eaglefeather's superiors hiding the truth? And can he really mist Zaria, the lovely but contentious local dancer whom he's enlisted as a spy? Zaria Aquene has a lot on her mind. The new Major's infatuation with her is strategically useful -- but what if he finds out she's a double agent? If she must, will she have the nerve to kill for her planer's survival? What if the person she must kill has become her friend?

Religion and Outer Space examines religion in and on the final frontier. This book offers a first-of-its-kind roadmap for thinking about complex encounters of religion and outer space. A multidisciplinary group of scholarly experts takes up some of the most intriguing scientific, spiritual, trade/commercial, and even military dimensions of the complex entanglements of religion and outer space. Attending to the historical reality that the interconnections between religion and the heavens are as old as religions themselves, the volume starts with an examination of "outer space" elements in the most sacred writings of the world’s religions. It then explores some of the religious questions inevitable in this encounter, analyzing cultural constructions (both literary and actual) of religion and outer space. It ends with examinations of the role of religion in the very real and very present business of space exploration. What might motivate the spread of religion (or at least fantasies of religion in its myriad possibilities) into new interior and exterior dimensions of the cosmos? Only the future will tell. Religion and Outer Space is essential reading for students and academics with an interest in religion and space, religion and science, space exploration, religion and science fiction, popular culture, and religion in America.

It's an unfortunate but timeless story: the struggle for sovereignty against colonization. In this unchanged re-release of the original 1998 novel, an ensemble of characters resist the Consortium and their Peacekeeping protectors in an effort to stop the destructive mining of quilidon, the galaxy's most valuable resource. Idealistic, Earth-born Major Leith Eaglefeather believes he's on Palmares to protect its citizens, as well as its quilidon mines, from the shadowy rebels called the Kituhwa. But after a few weeks on the beautiful, unspoiled violet planet, he's beginning to realize there's another side to the story. The so-called Peacekeeping Forces are behaving more like an occupying army. Are Eaglefeather's superiors hiding the truth? And can he really trust Zaria, the lovely but contentious local dancer whom he's enlisted as a spy? Zaria Aquene has her own agenda. The new Major's infatuation with her is strategically useful - but what if he finds out she's a double agent? If she must, will she have the nerve to kill for her planet's survival? What if the person she must kill has become her friend?

As we move through the 21st century, the importance of science fiction to the study of English Literature is becoming increasingly apparent. The Science Fiction Handbook provides a comprehensive guide to the genre and how to study it for students new to the field. In particular, it provides detailed entries on major writers in the SF field who might be encountered on university-level English Literature courses, ranging from H.G. Wells and Philip K. Dick, to Doris Lessing and Geoff Ryman. Other features include an historical timeline, sections on key writers, critics and critical terms, and case studies of both literary and critical works. In the later sections of the book, the changing nature of the science fiction canon and its growing role in relation to the wider categories of English Literature are discussed in depth introducing the reader to the latest critical thinking on the field.

The Cambridge Companion to American Science Fiction explores the relationship between the ideas and themes of American science fiction and their roots in the American cultural experience. Science fiction in America has long served to reflect the country's hopes, desires, ambitions, and fears. The ideas and conventions associated with science fiction are pervasive throughout American film and television, comics and visual arts, games and gaming, and fandom, as well as across the culture writ large. Through essays that address not only the history of science fiction in America but also the influence and significance of American science fiction throughout media and fan culture, this companion serves as a key resource for scholars, teachers, students, and fans of science fiction.

Odysseys Home: Mapping African-Canadian Literature is a pioneering study of African-Canadian literary creativity, laying the groundwork for future scholarly work in the field. Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key creators and texts. Scholarly and sophisticated, the survey cites and interprets the works of several major African-Canadian writers, including André Alexis, Dionne Brand, Austin Clarke, Claire Harris, and M. Nourbese Philip. In so doing, Clarke demonstrates that African-Canadian writers and critics explore the tensions that exist between notions of universalism and black nationalism, liberalism and conservatism. These tensions are revealed in the literature in what Clarke argues to be – paradoxically – uniquely Canadian and proudly apart from a mainstream national identity. Clarke has unearthed vital but previously unconsidered authors, and charted the relationship between African-Canadian literature and that of Africa, African America, and the Caribbean. In addition to the essays, Clarke has assembled a seminal and expansive bibliography of texts – literature and criticism – from both English and French Canada. This important resource will inevitably challenge and change future academic consideration of African-Canadian literature and its place in the international literary map of the African Diaspora.

“Don’t say in the years to come that you would have lived your life differently if only you had heard this story. You’ve heard it now.” —Thomas King, in this volume Read, Listen, Tell brings together an extraordinary range of Indigenous stories from across Turtle Island (North America). From short fiction to as-told-to narratives, from illustrated stories to personal essays, these stories celebrate the strength of heritage and the liveliness of innovation. Ranging in tone from humorous to defiant to triumphant, the stories explore core concepts in Indigenous literary expression, such as the relations between land, language, and community, the variety of narrative forms, and the continuities between oral and written forms of expression. Rich in insight and bold in execution, the stories proclaim the diversity, vitality, and depth of Indigenous writing. Building on two decades of scholarly work to centre Indigenous knowledges and perspectives, the book transforms literary method while respecting and honouring Indigenous histories and peoples of these lands. It includes stories by acclaimed writers like Thomas King, Sherman Alexie, Paula Gunn Allen, and Eden Robinson, a new generation of emergent writers, and writers and storytellers who have often been excluded from the canon, such as French- and Spanish-language Indigenous authors, Indigenous authors from Mexico, Chicana/o authors, Indigenous-language authors, works in translation, and “lost“ or underappreciated texts. In a place and time when Indigenous people often have to contend with representations that marginalize or devalue their intellectual and cultural heritage, this collection is a testament to Indigenous resilience and creativity. It shows that the ways in which we read, listen, and tell play key roles in how we establish relationships with one another, and how we might share knowledges across cultures, languages, and social spaces.