Heather’s curiosity in Wicca brings new confidence and reassurance, but alienates her from others. Even so, this enchanting path seems harmless, even helpful. But when terrifying things begin to happen that Heather can’t explain, it becomes clear that she has less control over her world than ever before. The eleventh book in the TrueColors teen fiction series, this book discusses spiritual warfare, tragedy, anger, and more.

In 2215, a disturbance ripples through space as a ship passes invisibly onward to its destiny. In it is the rebel DeVore, a master of stealth and subterfuge, thought dead by his enemies, but very much alive - and getting ready to bring a terrifying flotilla against the T'ang, the dictators of Earth. On Mars, another rebel, the long-exiled Hans Ebert, meets with a lost African tribe, the Osu, to reveal his audacious plan - to take them home. And on Earth, the mega-cities of the T'ang begin to crumble as war ripples across the planet. It is a time of change, of endings, of beginnings. It is an era when the last of the T'angs, Li Yuan, will make a terrifying alliance...when chaos will strike in the form of human-looking androids programmed to kill...and when Emily Ascher, a woman dedicated to liberty for all the billions the T'ang have kept in chains, will see her vision blossom, though its color will be bloodred and blurred by tears...

The first woman and Asian to win the Commonwealth Prize, Among the White Moon Faces is an autobiography that chronicles the confusion of personal identity—linguistically, culturally, and sexually. The English-educated child of a Chinese father and a Peranakan mother, Lim grew up in post-colonial Malaysia with a tangle of names, languages and roles. The deep-seated, cross-cultural ironies of this fragmented identity also echo throughout this memoir; from the love-hate relationship she shares with a neglectful father and an estranged mother, the pain of hunger suffered during childhood, to her Anglophile education and the loneliness of cultural displacement. Lim eventually finds reconciliation in her perpetual exile, using the solace of writing to create a sense of place and to counter the pull of ancient ghosts.

Snapshots from the moon: NASA photographs from the earliest manned space flights NASA's Apollo program landed the first humans on the moon in 1969. In the next three years, Apollo sent 10 more men to the moon in five subsequent missions. The first moon landing in particular is a legendarily well-documented event, representing one of those rare moments in which the world was united in awe, witnessing the feat together on their television screens. But each Apollo mission also generated hundreds of photographs, many of which have only recently been released by NASA. A selection of these images--shot by the astronauts themselves with suit-mounted and handheld Hasselblad cameras--are gathered in this beautifully designed, affordable volume. Many of the photographs, though shot originally for scientific, documentary purposes, have an extraordinary snapshot quality, boasting inadvertently artful compositions and effects: in one, a pair of astronaut's legs emerges upside down from the bottom of the frame; in another, a striding astronaut appears to glow against the black recesses of space. Contextualized with background information about the Apollo Missions and the role of photographic documentation in them, the photographs in The Moon 1968-1972are fascinating documents of the majesty of outer space, but also record the surface of the moon as a landscape of wonder. This is the moon of which E.B. White wrote in the July 1969 issue of The New Yorker: "The moon, it turns out, is a great place for men. One-sixth gravity must be a lot of fun, and when Armstrong and Aldrin went into their bouncy little dance, like two happy children, it was a moment not only of triumph but of gaity."

Revisit the beginning of New York Times bestselling author Karen White’s signature style in one of her earliest novels—a story about a love that defies time... IN THE SHADOW OF THE MOON When Laura Truitt first sees the dilapidated plantation house, she’s overcome by a sense of familiarity. Inside, the owner claims to have been waiting for years and offers an old photograph of a woman with Laura’s face. Soon afterwards, when a lunar eclipse inexplicably thrusts Laura back in time to Civil War Georgia, she finds herself fighting not just for her heart, but for her very survival…. Includes an exclusive preview of Karen White’s next hardcover Praise for Karen White “There is a rhythm to the writing of Karen White. It has a pace, a beat, a cadence that is all its own.”—The Huffington Post “The ultimate voice of women’s fiction.”—Fresh Fiction “White’s dizzying carousel of a plot keeps those pages turning, so much so that the book can—and should be—finished in one afternoon.”—Oprah.com “This is storytelling of the highest order: the kind of book that leaves you both deeply satisfied and aching for more.”—Beatriz Williams, New York Times bestselling author

These brightly illustrated board books feature bold die-cut shapes and simple texts covering a variety of high-interest subjects including holidays, counting and other concepts, and simple, cheerful original stories. Full color.

A young child excitedly plans all the essentials she must take with her for a trip to Grandma's house.