Moon Spotlight Charleston & the South Carolina Lowcountry is a 150-page compact guide covering the hospitable city of Charleston, Beaufort, and the Lowcountry, including Hilton Head Island. Author Jim Morekis offers seasoned advice on must-see attractions, and he includes maps with sightseeing highlights so you can make the most of your time. This lightweight guide is packed with recommendations on sights, entertainment, shopping, recreation, accommodations, food, and transportation, as well as helpful maps, making navigating the "Holy City" of Charleston and the Lowcountry uncomplicated and enjoyable. This Spotlight guidebook is excerpted from Moon Charleston & Savannah.

Moon Spotlight Charleston and the South Carolina Lowcountry is a 150-page compact guide covering the hospitable city of Charleston, and Beaufort and the Lowcountry including Hilton Head Island. Author Jim Morekis offers seasoned advice on what sights are must-sees, and he includes maps with sightseeing highlights so that planning your time is easy. This lightweight guide is packed with recommendations on sights, entertainment, shopping, recreation, accommodations, food, and transportation. Helpful maps make navigating the "Holy City" of Charleston and the Lowcountry uncomplicated. Moon Spotlight guides are affordably-priced, lightweight guides covering a smaller geographic region than Moon Handbooks or Outdoors guidebook series. The travel content in a Spotlight guide is pulled directly from individual chapters of larger Handbooks or Outdoors titles, with no introductory information (such as When to Go or Planning Your Trip), and no indexes. The results are compact guides to popular destinations that provide travelers with what they need to explore a specific locale in depth with fewer pages of very focused information.

Blood in the Low Country, the first of the Atkins Family Low Country Sagas, tells the story of a southern family living in Charleston, South Carolina in 1973. The book follows the lives of Monty Atkins, his wife Rose, and their sons Eli and Walker. Rose’s childhood is plagued by poverty, abuse, and tragedy. Determined to prove she’s better than her past, she relentlessly pushes her sons to succeed in proper Charleston society. When Rose’s oldest son Eli, the product of her first, failed marriage, is accused of murdering his girlfriend Kimberly, Rose fears losing everything. Monty believes his son is innocent and hires a detective to find the killer. But when the murderer is revealed, Monty’s marriage and everything he holds true are tested. Can Monty and Rose save their family and confront Rose’s demons? Only time will tell. A story of love, faith, and redemption, Blood in the Low Country is a must-read for fans of Southern family sagas.

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.

“Anne Rivers Siddons’s novels are women’s stories in the best sense, pulling you into the internal landscape of her characters’ lives and holding you there.” – People A poignant novel of the love that unites us and the secrets that drive us apart, Islands is New York Times bestselling author Anne Rivers Siddons at her lyrical best—a glorious evocation of the people and the place she knows so well. Anny Butler is a caretaker, a nurturer, first for her own brothers and sisters, and then as a director of an agency devoted to the welfare of children. What she has never had is a real family. That changes when she meets and marries Lewis Aiken, an exuberant surgeon fifteen years older than Anny. When they marry, she finds her family—not a traditional one, but a group of Charleston childhood friends who are inseparable, who are one another's surrogate family. They are called the Scrubs, and they all, in some way, have the common cord of family. Instantly upon meeting them at the old beach house on Sullivan's Island, which they co-own, Anny knows that she has found home and family. They vow that, when the time comes, they will find a place where they can live together by the sea. Bad things begin to happen—a hurricane, a fire, deaths—but still the remaining Scrubs cling together. They are watched over and bolstered by Camilla Curry, the heart and core of their group, always the healer. Anny herself allows Camilla to enfold and to care for her. It is the first time she has felt this kind of love and support.

In her debut memoir, Lingenfelser serves up heartfelt stories and easy-to-execute recipes from her Savannah kitchen. Written with the courage of her convictions and a pinch of audacity, Some Kinda Good is the perfect book for anyone who dares to dream and acts on those instincts. Good food and good company, that's what it's all about!

The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.