This book is the only one that describes exclusively the architecture, history, and art associated with 23 of Baltimore's churches and synagogues dating from 1785 to 1887. Within these houses of worship, designed by leading architects of the day, are outstanding examples of windows, statuary, paintings, mosaics, carvings and religious artifacts. Robert Cary Long, Jr., Benjamin LaTrobe and Stanford White are a few of the architects. Louis Comfort Tiffany, John LaFarge, Constantine Brumidi and Hans Schuler represent some of the artisans. A majority of the buildings are National Historic Landmarks or are on the national Register of Historic Places. Churches parallel the development of the city. The book tells why each church or synagogue was founded, the particular ethnic or social group it served and how it adapted over the years to Baltimore's changing demographics. Each building has a special story to tell. Only those religious structures which still have active congregations or are used for religious ceremonies are included. These buildings are city treasures in terms of their history, architecture and artisans' contributions to the interiors. The structures are concentrated in downtown Baltimore and include a variety of neighborhoods. The book can be used as a guide to explore these Baltimore gems.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A new perspective on a beloved cultural icon, its place in our history, and its meaning in the American imagination This elegantly written appreciation of the Empire State Building opens up the building's richness and importance as an icon of America. The book leads us through the facts surrounding the skyscraper's conception and construction, then enters into a provocative theoretical discussion of its function as an icon, its representation in pictures, literature, and film, and the implications of its iconic status as New York's most important architectural monument to ambition and optimism. The Empire State Building literally cannot be seen in its totality, from any perspective. And paradoxically, this building of unmistakable solidity has been made invisible by familiarity and reproduction through imagery. Mark Kingwell encourages us to look beneath the strong physical presence of the building, to become aware of its evolving layers of meaning, and to see how the building lives within a unique imaginative space in the landscape of the American consciousness. He offers new ways of understanding the Empire State Building in all its complexity and surprising insights into its special role as an American icon.

Here lie Elvis, Buddy Holly, Selena, Tupac Shakur, and many more. A loving tribute in words and photos to music's dearly departed. May they rock in peace! Stairway to Heaven: The Final Resting Places of Rock's Legends commemorates the rock n roll greats who have gone on to that big backstage party in the sky. With artful photos of graves and memorials, and text offering in-depth and never-before-published information about the rock stars lives and deaths, Stairway is an elegant, informative, and soulful tribute to music's greatest stars, from Elvis and the Lizard King to the Ramones and "Left Eye" Lopes. The best gift you can give a die-hard music fan this holiday season, Stairway can best be summed up by the words on the headstone of Blues Brother John Belushi: "I may be gone, but Rock & Roll lives on."

This illustrated two-volume history of Egypt, 'derived entirely from the monuments', was first published in an English translation in 1879. Brugsch brings to bear his wide experience of the archaeological sites together with his linguistic expertise, and deliberately eschews later Greek and Roman accounts of Egypt.