This study treats the entire corpus of stone and wood monuments from the Maya site of Tikal and lesser periphery locations. Each description includes details of provenience and condition. Every carved surface is illustrated by a standardized scale drawing, supplemented in almost every case by photographs.

The publication of this book finally places the exquisitely carved but little known monuments of Caracol with those of Quirigua, Copan, and Tikal. New breakthroughs in the decipherment of Maya text have enabled the graceful hieroglyphic inscriptions to be translated. University Museum Monograph, 45

Unlock the mysteries of the Mayan world. Deep in the rain forests of South and Central America, the Mayan culture thrived for almost 4,000 years. From the earliest Mayan farmer in 2,600 BC through the thirteenth century AD, the Maya developed an elaborate society, built great cities and temples, and created the only real system of writing native to the Americas. Although many of the intricacies of the Mayan culture remain shrouded in mystery, hundreds of new discoveries have come to light in recent years, and our body of knowledge about the Maya has grown by leaps and bounds. Now, the most fascinating new discoveries have been compiled into one volume: Secrets of the Maya, a book from the editors of Archaeology Magazine. From the discovery of ancient caves used for religious rituals—including human sacrifice—to the search for the long-lost "White City," Secrets of the Maya will take readers on an exciting and surprising archaeological journey. Featuring articles on the latest research, a comprehensive time line, and a special section on Mayan hieroglyphs, Secrets of the Maya will appeal to experts and amateurs alike.

The sixteen-volume Handbook of Middle American Indians, completed in 1976, has been acclaimed the world over as the most valuable resource ever produced for those involved in the study of Mesoamerica. When it was determined in 1978 that the Handbook should be updated periodically, Victoria Reifler Bricker, well-known cultural anthropologist, was selected to be series editor. This first volume of the Supplement is devoted to the dramatic changes that have taken place in the field of archaeology. The volume editor, Jeremy A. Sabloff, has gathered together detailed reports from the directors of many of the most significant archaeological projects of the mid-twentieth century in Mesoamerica, along with discussions of three topics of general interest (the rise of sedentary life, the evolution of complex culture, and the rise of cities).

The Great Maya center of Tikal in Guatemala is famous for its well-preserved architecture. This book presents detailed descriptions of a selection of unexcavated standing structures in the forests around the site center that complement the Museum's Architectural Survey conducted from 1960 to 1970. The survey produced measured drawings—plans, sections, elevations, and details—supplemented by descriptive text and quantitative tables for each structure. All structures are vaulted, and some are major works. TR 23 A is the primary record of important parts of Tikal's urban landscape, with clear, precise, and usable architectural analyses for Mayanists, archaeologists, art historians, architectural historians, urbanists, and those interested in construction techniques and in uses of Maya buildings. University Museum Monograph, 114

This volume includes the editorial “The absconded subject of Pop,” by Thomas Crow; “Enlivening the soul in Chinese tombs,” by Wu Hung; “On the ‘true body’ of Huineng,” by Michele Matteini; “Apparition painting,” by Yukio Lippit; “Immanence out of sight,” by Joyce Cheng; “Absconding in plain sight,” by Roberta Bonetti; “Ancient Maya sculptures of Tikal, seen and unseen,” by Megan E. O’Neil; “Style and substance, or why the Cacaxtla paintings were buried,” by Claudia Brittenham; “The Parthenon frieze,” by Clemente Marconi; “Roma sotterranea and the biogenesis of New Jerusalem,” by Irina Oryshkevich; “Out of sight, yet still in place,” by Minou Schraven; “Behind closed doors,” by Melissa R. Katz; “Moving eyes,” by Bissera V. Pentcheva; “‘A secret kind of charm not to be expressed or discerned,’” by Rebecca Zorach; “Ivory towers,” by Richard Taws; “Boxed in,” by Miranda Lash; “A concrete experience of nothing,” by William S. Smith; “Believing in art,” by Irene V. Small; “Repositories of the unconditional,” by Gabriele Guercio; “From micro/macrocosm to the aesthetics of ruins and waste-bodies,” by Jeanette Zwingenberger; “Are shadows transparent?” by Roberto Casati; “Invisibility of the digital,” by Boris Groys; “Des formes et des catégories,” by Remo Guidieri; and “Further comments on ‘Absconding,’” by Francesco Pellizzi.