One of the more unusual sources for lost or ruinous buildings from ancient Greece or Rome is coinage. This well-illustrated and accessible study examines a wide range of coins which recall and evoke buildings which were clearly important to Roman powers. The book is arranged by building-type, including roads, harbours, aqueducts, Rome's public buildings, temples, triumphal arches and altars. Many coins are illustrated and all technical terms are explained in the glossary.

"Money may seem hopelessly mundane and culturally meaningless, but it has dominated--and documented--world history since the time of the ancient Greeks. This heavily illustrated book provides a spirited account of the first coinages and their living descendants in our pockets and purses. It explains how people from Jesus to The Beatles have used numismatics to explore the social, political, economic, and religious history of the world"--

Go behind the scenes to discover why the Colosseum was the king of amphitheaters in the Roman world—a paragon of Roman engineering prowess. Early one morning in 80 CE, the Colosseum roared to life with the deafening cheers of tens of thousands of spectators as the emperor, Titus, inaugurated the new amphitheater with one hundred days of bloody spectacles. These games were much anticipated, for the new amphitheater had been under construction for a decade. Home to spectacles involving exotic beasts, elaborate executions of criminals, gladiatorial combats, and even—when flooded—small-scale naval battles, the building itself was also a marvel. Rising to a height of approximately 15 stories and occupying an area of 6 acres—more than four times the size of a modern football field—the Colosseum was the largest of all amphitheaters in the Roman Empire. In A Monument to Dynasty and Death, Nathan T. Elkins tells the story of the Colosseum's construction under Vespasian, its dedication under Titus, and further enhancements added under Domitian. The Colosseum, Elkins argues, was far more than a lavish entertainment venue: it was an ideologically charged monument to the new dynasty, its aspirations, and its achievements. A Monument to Dynasty and Death takes readers on a behind-the-scenes tour of the Colosseum from the subterranean tunnels, where elevators and cages transported gladiators and animals to the blood-soaked arena floor, to the imperial viewing box, to the amphitheater's decoration and amenities, such as fountains and an awning to shade spectators. Trained as an archaeologist, an art historian, and a historian of ancient Rome, Elkins deploys an interdisciplinary approach that draws on contemporary historical texts, inscriptions, archaeology, and visual evidence to convey the layered ideological messages communicated by the Colosseum. This engaging book is an excellent resource for classes on Roman art, architecture, history, civilization, and sport and spectacle.

The theory of evolution has changed so much- claiming that humans are closely related genetically to chimps, mice, donkeys, and even fish - that the theory is now a blurred mess masquerading as a scientific fact. It's a theory built on countless speculations, scientific fraud, and multiple conflicting theories. Garnering the evidence from biology, chemistry, genetics, geology, history, paleontology, and physics, evolution is exposed as a racist philosophy and a false science that provided the "scientific" justification for the Holocaust and other genocides, including the plot to silently exterminate American minorities through abortion and birth control. The evidence for evolution is examined in the light of genuine science. You may not like what you read, but you can't argue with the facts.