Long-awaited biography of an African American avant-garde composer Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels. In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual community in Southern California. Exploring her transformation from Alice McLeod, Detroit church pianist and bebopper, to guru Swami Turiya Sangitananda, Monument Eternal illuminates her music and, in turn, reveals the exceptional fluidity of American religious practices in the second half of the twentieth century. Most of all, this book celebrates the hybrid music of an exceptional, boundary-crossing African-American artist.

This is a study of buildings created to honour the dead. It explores the links between socio-religious and existential perceptions of death and how this has been interpreted in architecture over the 20th century.

From the award-winning, bestselling author of Skyscrapers, Churches, and Bridges comes a stunning visual history that serves as a tribute to classic American landmarks.

The Ruin of the Eternal City provides the first systematic analysis of the preservation practices of the popes, civic magistrates, and ordinary citizens of Renaissance Rome. This study offers a new understanding of historic preservation as it occurred during the extraordinary rebuilding of a great European capital city.

"From 1958 to 1978 in New York a series of atmospheric irruptions emerged in the history of music, fraught with dissonance, obscurity, and volume. Beyond expanding musical resources into dissonance and noise with a familiar polemical edge, a group of musicians were thinking with sound: crafting metaphysical portals, aiming one to go somewhere, to get out of oneself. For many artists and thinkers of the postwar period, the self was taken to be ideological, given, normal. Their strange, intense, disorienting music was a way out, beyond, through the other, through the collective, through an ecstatic mystery. Their work had material underpinnings: radios, amplifiers, televisions, multi-track recording studios, and long-playing records. Some of the results were intricate, esoteric, and fractured; some of it oceanic and inconsistent. It was often difficult to tell the difference. In this new project, Michael Gallope discusses the work of several musicians who played key roles in these musical irruptions: David Tudor, Ornette Coleman, the Velvet Underground, Alice Coltrane, and Richard Hell and Patti Smith. Their work involved a larger group of collaborators, some of them among the mid-twentieth century's most celebrated artists and musicians: John Cage, Merce Cunningham, Lou Reed, Andy Warhol, and John Coltrane. This project is a history of the thinking embedded in their collective work, and it is a critical exposition of this period of time. Gallope details how avant-garde musicians of the postwar period in New York explored the philosophical dimensions of music's ineffability. He contends that the musicians at the center of each chapter-all of whom are understudied, and none of whom are traditionally taken to be composers-not only challenged the rules by which music was written and practiced, but also confounded gendered and racialized expectations for what critics took to be legitimate forms of musical sound. From a broad historical perspective, their arresting music electrified a widely recognized social process of the 1960s: a simultaneous affirmation and crisis of the modern self"--

The story of life and death in America as told through beautiful cemetery art photography accompanied by meaningful epitaphs from cemeteries up to 300 years old. View 68 cemeteries in 224 beautiful photographs that breathe life into existence of those who have passed before us, and who are now enshrined for eternity in landscaped paradises. Within each placid scene and through heartfelt words displayed upon markers, join photographer John Thomas Grant in his one-of-a-kind study of an American tradition.

This is the untold story of Sallie, a dog whose life as a soldier began in a basket and ended as a Civil War hero. The pup barked and nearly tumbled out of the basket. We laughed, and immediately we knew--she was one of us already. Brindle fur with streaks of brown and black swirled all over her like a patchwork quilt. She was as pretty as an apple tree in full bloom. We called her Sallie. During the Civil War, Sallie came to the 11th Pennsylvania Volunteer Infantry as a gift from a townsperson, but she quickly became a favorite among her men. She marched with them from battle to battle, always guarding the unit's colors, and even met President Lincoln. And over three long days at the battle of Gettysburg, Sallie stayed with the dead, guarded their bodies, and nearly died herself from hunger and thirst as the conflict raged on. Though she fell in battle, her loyalty was rewarded years later when her men met again on the battlefield at Gettysburg to erect her likeness in bronze so that she might eternally guard them. This beautiful story about a dog's dedication and loyalty shows that bravery comes in all shapes and forms!