NEW YORK TIMES BESTSELLER • “An unflinching examination of how our drinking culture hurts women and a gorgeous memoir of how one woman healed herself.”—Glennon Doyle, #1 New York Times bestselling author of Untamed “You don’t know how much you need this book, or maybe you do. Either way, it will save your life.”—Melissa Hartwig Urban, Whole30 co-founder and CEO The founder of the first female-focused recovery program offers a groundbreaking look at alcohol and a radical new path to sobriety. We live in a world obsessed with drinking. We drink at baby showers and work events, brunch and book club, graduations and funerals. Yet no one ever questions alcohol’s ubiquity—in fact, the only thing ever questioned is why someone doesn’t drink. It is a qualifier for belonging and if you don’t imbibe, you are considered an anomaly. As a society, we are obsessed with health and wellness, yet we uphold alcohol as some kind of magic elixir, though it is anything but. When Holly Whitaker decided to seek help after one too many benders, she embarked on a journey that led not only to her own sobriety, but revealed the insidious role alcohol plays in our society and in the lives of women in particular. What’s more, she could not ignore the ways that alcohol companies were targeting women, just as the tobacco industry had successfully done generations before. Fueled by her own emerging feminism, she also realized that the predominant systems of recovery are archaic, patriarchal, and ineffective for the unique needs of women and other historically oppressed people—who don’t need to lose their egos and surrender to a male concept of God, as the tenets of Alcoholics Anonymous state, but who need to cultivate a deeper understanding of their own identities and take control of their lives. When Holly found an alternate way out of her own addiction, she felt a calling to create a sober community with resources for anyone questioning their relationship with drinking, so that they might find their way as well. Her resultant feminine-centric recovery program focuses on getting at the root causes that lead people to overindulge and provides the tools necessary to break the cycle of addiction, showing us what is possible when we remove alcohol and destroy our belief system around it. Written in a relatable voice that is honest and witty, Quit Like a Woman is at once a groundbreaking look at drinking culture and a road map to cutting out alcohol in order to live our best lives without the crutch of intoxication. You will never look at drinking the same way again.

Originally published to great acclaim in 1976, The American Monument has become one of the most sought-after photography publications of the 20th century. Long out of print, this second edition is once again available again for all to enjoy and own. Published in the same oversized format as the first editionwith exquisite duotone reproductions of the original 213 photographsthe album of post-bound single sheets can easily be disassembled for display. Considered by many, including Friedlander himself, to be one of his most important books, The American Monument has influenced generations of photographers, curators and art historians. The second edition includes the original essay by Eakins Press founder Leslie George Katz along with a new essay by eminent past NYCs Museum of Modern Arts photography curator and Friedlander scholar Peter Galassi, which illuminates the history and continued significance of this iconic artist and this early publication. The deeply influential American curator of photography at MoMA during the 1960s-70s, John Szarkowski (19272007), stated: I am still astonished and heartened by the deep affection of those pictures, by the photographers tolerant equanimity in the face of the facts, by the generosity of spirit, the freedom from pomposity and rhetoric. One might call this work an act of high artistic patriotism, an achievement that might help us reclaim that word from ideologues and expediters. Lee Friedlander is the recipient of three Guggenheim Fellowships as well as a MacArthur Fellowship. He has published more than 50 monographs since 1969, and exhibited extensively around the world for the past five decades, including a major retrospective at the MoMA, NY, in 2005.

One small, handwritten letterSent from a dark, remote corner of the planetAnd lost in the system for sixty yearsIs about to change the entire human race.Outside Denver, Colorado, Joe Rickards stands over a small aircraft wreckage, studying burnt remains still smoldering in a field of freshly fallen snow...an investigator for the NTSB, working to carefully roll back the last several hours and identify the cause of the accident. But this time, he can't. The details behind this tragedy don't add up. Unlike every other investigation of Joe's career, the facts make no sense. Each new piece of information only makes the accident more mysterious, and more baffling.Why would a person receive an age-old letter and suddenly disappear into the thick of night...paying to be flown out of a closed airport in the worst possible weather conditions, by a pilot who hadn't had his hand on the stick in years?With the only surviving relative insisting her grandfather would never have climbed into a small airplane in the first place, even in perfect weather.A bizarre string of events culminating in a horrible accident unlike anything Rickards has experienced. Leaving his only hope at understanding it in the hands of the victim's sole remaining relative. Beginning with how a mysterious letter could turn up after being lost in the system for sixty years. Sent by someone who should have already been long dead. A single letter, Joe Rickards is about to discover, with a secret that will change the entire world.

Your mother hollers that you're going to miss the bus. She can see it coming down the street. You don't stop and hug her and tell her you love her. You don't thank her for being a good, kind, patient mother. Of course not—you launch yourself down the stairs and make a run for the corner. Only, if it's the last time you'll ever see your mother, you sort of start to wish you'd stopped and did those things. Maybe even missed the bus. But the bus was barreling down our street, so I ran. Fourteen kids. One superstore. A million things that go wrong. In Emmy Laybourne's action-packed debut novel, six high school kids (some popular, some not), two eighth graders (one a tech genius), and six little kids trapped together in a chain superstore build a refuge for themselves inside. While outside, a series of escalating disasters, beginning with a monster hailstorm and ending with a chemical weapons spill, seems to be tearing the world—as they know it—apart.

The colorful story behind one of America's greatest monuments and of the ancient obelisks of Egypt, now scattered around the world. Conceived soon after the American Revolution ended, the great monument to George Washington was not finally completed until almost a century later; the great obelisk was finished in 1884, and remains the tallest stone structure in the world at 555 feet. The story behind its construction is a largely untold and intriguing piece of American history, which acclaimed historian John Steele Gordon relates with verve, connecting it to the colorful saga of the ancient obelisks of Egypt. Nobody knows how many obelisks were crafted in ancient Egypt, or even exactly how they were created and erected since they are made out of hard granite and few known tools of the time were strong enough to work granite. Generally placed in pairs at the entrances to temples, they have in modern times been ingeniously transported around the world to Istanbul, Paris, London, New York, and many other locations. Their stories illuminate that of the Washington Monument, once again open to the public following earthquake damage, and offer a new appreciation for perhaps the most iconic memorial in the country.

Frames, Erasures, Graffiti --Writing in Relation --Guidestars, Tangles, Hauntologies.

It all begins when Rocky follows Mick Strum around town while he sketches its people, animals and graveyard. Mick has been commissioned by Rocky's Kansas town to create a memorial to their war dead. As Rocky learns to respect Mick and his talents, he helps her to develop her own artistic sensibilities. But the townspeople see things in Mick's drawings that they don't want to know or accept about themselves. Can Mick help them accept one monument that will be meaningful to everyone?