As a follow-up to their first true feature film, Monty Python and the Holy Grail, the comic troupe next decided to tackle a “shadow” version of the Christ story. Shot in the Middle East and produced during Margaret Thatcher’s ascendant years, the film satirized—among other matters—authoritarianism and religious zealotry. Upon its release, Monty Python’s Life of Brian was both a critical and commercial success, and has been since hailed as one of the greatest comedies of all time. But the film also faced backlash from religious groups for its blasphemy, perceived or otherwise. In A Book about the Film Monty Python's Life of Brian: All of the References from Assyrians to Zeffirelli, Darl Larsen identifies and examines the plethora of cultural, historical, and topical allusions in the film. In this resource, Larsen delineates virtually every allusion and reference that appears in the film—from first-century Jerusalem through 1970s Great Britain. Organized chronologically by scene, the entries in this cultural history cover literary and metaphoric allusions, symbolisms, names, peoples, and places, as well as the many social, cultural, and historical elements that populate this film. By closely examining each scene, this book explores the Pythons’ comparisons of the Roman and British Empires and of Pilate and Margaret Thatcher. In addition, Larsen helps to situate Life of Brian in the “Jesus” re-examination of the postwar period, while also taking a close look at the terror groups of first-century Judea and the modern world. A Book about the Film Monty Python's Life of Brian will appeal to scholars of history, film, British culture, and pop culture, as well as to the many fans of this iconic group.

The essential gags, sketches, and songs, handpicked and introduced by the surviving members of the Python team. The book features full-color pages of Monty Python classics in a brilliant paperback format and includes gems such as Spamalot, The Meaning of Life, and many more enduring classics.

October 2019 marks the fiftieth anniversary of the first broadcast of Monty Python's Flying Circus on BBC Television. This humorous book contains zany writing and illustrations used by Monty Python. Graham Chapman's education and vocational training occurred variously in such places as the Midlands, Eton, the University of Cambridge, St Swithin's Hospital, on tour in a revue with John Cleese in New Zealand and on the island of Ibiza with David Frost. He was the author of A Liar's Autobiography and he also wrote for Monty Python's Flying Circus and the TV show Doctor in the House. Graham Chapman died in 1989. John Cleese was educated at the University of Cambridge where he performed in Footlights and then went to work in London as a performer and as a comedy writer for the BBC. Besides his work with Python he is best known for his TV series Fawlty Towers (co-written with Connie Booth), the books he has written with psychologist Robin Skinner and films such as Clockwise, A Fish Called Wanda and Fierce Creatures. Eric Idle was educated at the University of Cambridge where he joined the Footlights Club becoming president of the club in 1965. He created and acted in The Rutles and has appeared in numerous films including The Adventures of Baron Munchausen and wrote the book, and co-wrote the lyrics, for the award-winning musical Spamalot (based on Monty Python & The Holy Grail). Educated at the University of Oxford, Terry Jones worked in theatre, and wrote revues and scripts for the BBC before becoming one of the creators of Monty Python. He has written many books for children and is also the author (with other scholars) of Who Murdered Chaucer? and a study of Chaucer's Knight. He has directed such films as Personal Services, Erik the Viking and The Wind in the Willows, along with all the Python films. Michael Palin was born in Sheffield in 1943 and lives with his wife Helen in North London. His adventures around the world have been huge bestsellers. His books (all of which have accompanied his documentaries for the BBC) include Around the World in 80 Days, Pole to Pole, Full Circle, Sahara and Himalaya. His films have included The Missionary and A Private Function. As part of the Monty Python team, Terry Gilliam produced the series' bizarre animations as well as performing. His subsequent career has encompassed animation and film-making, and he has directed films including The Adventures of Baron Munchausen, Brazil, Twelve Monkeys and Fear and Loathing in Las Vegas.

A comprehensive study examining the history, content, and context of the legendary comedy series Monty Python’s Flying Circus. One of the most innovative comedic programs to air on television, Monty Python’s Flying Circus was a mix of the carnivalesque and the critical. The show has become famous for eschewing many of the conventions of situation comedy, the fully formed and coherent script, narrative closure, predictable characters, and the decorum associated with presentation. Its curious transatlantic popularity defied the assumption that comedy is regional and exclusive, and the show’s cult status still lives on in the United States and United Kingdom through reruns, videos, DVDs, and continual reappearances by the show’s now iconic stars. Most written accounts of Monty Python’s Flying Circus focus solely on members of the Pythons, histories of the sketches, or the development of other Monty Python projects, leaving a dearth of scholarly and contextual analysis on the television show itself. Marcia Landy’s book is one of the rare studies available examining the Flying Circus within the context of its time, analyzing the show’s influence on 1960s and 1970s British television as well as British cultural influence on the show’s legendary material. Landy explores not only why the series’ complex form of comedy was important but also why it was so well received, citing the Pythons’ amalgam of comedic material: the unruly treatment of sexuality, the mockery of religion and class, and the critique of the medium of television. The Flying Circus parodied both the lowbrow and the highbrow, throwing many previously untouchable topics into the ring, and here Landy deconstructs the impact of the show’s risks and reception. As informative as it is engaging and entertaining, this book will appeal to film and media scholars, popular culture enthusiasts, and Monty Python fans alike.

Monty Python’s Flying Circus aired from 1969 until 1974, but the conclusion of the series did not mark the end of the troupe’s creative output. Even before the final original episodes were recorded and broadcast, the six members began work on their first feature-length enterprise of new material. Rather than string together a series of silly skits, they conceived a full-length story line with references to the real and imagined worlds of the mythical King Arthur, the lives of medieval peasants, and the gloomy climate of 1970s Britain. Released in 1975, Monty Python and the Holy Grail was a modest success but has since been hailed as a modern classic. In A Book about the Film Monty Python and the Holy Grail:All the References from African Swallows to Zoot, Darl Larsen identifies and examines the cultural, historical, and topical allusions in the movie. In this entertaining resource, virtually every reference that appears in a scene—whether stated by a character, depicted in the mise-en-scène, or mentioned in the print companion—is identified and explained. Beyond the Arthurian legend, entries cover literary metaphors, symbols, names, peoples, and places—as well as the myriad social, cultural, and historical elements that populate the film. This book employs the film as a window to both reveal and examine “Arthurian” life and literature, the historical Middle Ages, and a Great Britain of labor unrest, power shortages, and the common man. Introducing the reader to dozens of medievalist histories and authors and connecting the film concretely to the “modern” British Empire, A Book about the Film Monty Python and the Holy Grail will appeal to fans of the troupe as well as medieval scholars and academics who can laugh at themselves and their work.

Humour.

This is the definitive, the official, the most lavish, the completely-different-to-anything-done-before Pythons' autobiography, reissued to coincide with the eagerly-anticipated live shows. Over forty years ago, a group of five Englishmen - and one wayward American - rewrote the rules of comedy. MONTY PYTHON'S FLYING CIRCUS, an unheralded, previously unseen half-hour show of sketches, hilarities, inanities and animations, first appeared on the BBC late one night in 1969. Its impact has been felt on the world ever since. From its humble beginnings, it blossomed into the most influential movement in modern comedy. THE PYTHONS' AUTOBIOGRAPHY BY THE PYTHONS is a unique look at arguably the most important comic team of the modern age, with 64 pages of photographs, many culled from the team's own personal collections, many more seen for the first time. This is the definitive word on all things Pythonesque.