This catalogue of the Coptic Textiles in the Collection of Mediterranean Antiquities at the Montreal Museum of Fine Arts provides a detailed analysis of 64 textiles from both historical and weaving practice points of view. This approach provides a fuller understanding of the cultural situation in which such textiles were produced and circulated. Dr. Landry’s experience of over 40 years of weaving and scholarship highlights the elements of knowledge and skill held and applied by weavers in Antiquity. This perspective complements and expands on the focus on imagery usually provided by art historians regarding textiles of this period. This catalogue shows how much more cultural information can be accessed when the technical, economic, and practical character of both production and use are adequately integrated into the study of material artefacts.

Historical Dictionary of Ancient Egypt, Third Edition covers the whole range of the history of ancient Egypt from the Prehistoric Period until the end of Roman rule in Egypt based on the latest information provided by academic scholars and archaeologists. This is done through a revised introduction on the history of ancient Egypt, the dictionary section has over 1,000 dictionary entries on historical figures, geographical locations, important institutions and other facets of ancient Egyptian civilization. This is followed by two appendices one of which is a chronological table of Egyptian rulers and governors and the other a list of all known museums which contain ancient Egyptian objects. The volume ends with a detailed bibliography of Egyptian historical periods, archaeological sites, general topics such as pyramids, languages and arts and crafts and the publications of Egyptian material in museums throughout the world.

For over one thousand years, velvet textiles were woven by hand with great ingenuity and artistry. This book recounts a transcontinental story of their development into one of the most beautiful, luxurious, and economically important products of the medieval and Renaissance periods, in constant demand at courts throughout Europe and Asia. Velvet expert Landry offers a consistent theory of the origin and spread of this weaving technique and the technological innovations that accompanied it. She draws from her lengthy personal expertise as a practicing weaver and scholar, examining, analyzing, and engaging in the techniques and technologies in order to excavate the intrinsic ideas and knowledge embedded in the craft of velvet weaving. The instructions feature techniques and equipment accessible to ordinary handweavers and introduce ways to attain complex results without complex equipment. This will be a valuable resource for weavers, textile scholars, and curators for years to come.

Based on the author's thesis, University of Oxford.

Twenty chapters present the range of current research into the study of textiles and dress in classical antiquity, stressing the need for cross and inter-disciplinarity study in order to gain the fullest picture of surviving material. Issues addressed include: the importance of studying textiles to understand economy and landscape in the past; different types of embellishments of dress from weaving techniques to the (late introduction) of embroidery; the close links between the language of ancient mathematics and weaving; the relationships of iconography to the realities of clothed bodies including a paper on the ground breaking research on the polychromy of ancient statuary; dye recipes and methods of analysis; case studies of garments in Spanish, Viennese and Greek collections which discuss methods of analysis and conservation; analyses of textile tools from across the Mediterranean; discussions of trade and ethnicity to the workshop relations in Roman fulleries. Multiple aspects of the production of textiles and the social meaning of dress are included here to offer the reader an up-to-date account of the state of current research. The volume opens up the range of questions that can now be answered when looking at fragments of textiles and examining written and iconographic images of dressed individuals in a range of media. The volume is part of a pair together with Prehistoric, Ancient Near Eastern and Aegean Textiles and Dress: an interdisciplinary anthology edited by Mary Harlow, Cécile Michel and Marie-Louise Nosch

This catalogue raisonné describes the lamps and statuettes in terracotta of the Montreal Museum of Fine Arts, to which are added two lamps made of bronze. The collection, small but eclectic, has mostly been assembled in recent years and represents a wide variety of types in these two categories. After an introduction discussing the techniques involved in the production of these objects, the catalogue proper presents 44 lamps, 21 figurines and a single arula with full illustration. This catalogue makes the collection available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world.This is the second volume of a series intended to make public the different parts of the museum s collection of Mediterranean antiquities.Ce catalogue raisonné présente les lampes et les figurines en terre cuite du Musée des beaux-arts de Montréal ainsi que deux lampes de bronze. La collection, petite mais éclectique, a été formée récemment et comprend un bon échantillon de ces types d'objets. Après en avoir expliqué les techniques de fabrication, le catalogue illustré décrit 44 lampes, 21 statuettes et une arula. Ce livre s'adresse aux étudiants, aux conservateurs, aux archéologues, aux historiens d'art et aux collectionneurs, bref à ceux qu'intéresse l'archéologie du monde antique.Il s'agit du deuxième catalogue d'une série qui vise à publier la collection des antiquités du Musée.