A true record of an era, this unabridged facsimile of the retail giant's 1895 catalogue showcases some 25,000 items, from the necessities of life to products whose time has passed. Illustrated.

Tea gowns, bleached damask, and yards of flannel and pillow-case lace, stereoscopes, books of gospel hymns and ballroom gems, the New Improved Singer Sewing Machine, side saddles, anti-freezing well pumps, Windsor Stoves, milk skimmers, straight-edged razors, high-button shoes, woven cane carpet beaters, spittoons, the Studebaker Road Cart, commodes and washstands, the "Fire Fly" single wheel hoe, cultivator, and plow combined, flat irons, and ice cream freezers. What man, woman, or child of the 1890s could resist these offerings of the Montgomery Ward catalogue, the one book that was read avidly, year after year, by millions of Americans on farms and in small towns across the nation? The Montgomery Ward catalogue provides one of the few irrefutably accurate pictures of what life was "really like" in the gay nineties, for it described and illustrated almost anything that anybody could possibly need or want in the way of "store-bought" goods. In fact, in that pre-department store era, it was usually the only source for such goods. Imagine if Montgomery Ward had issued an illustrated catalogue in the days of Louis XIV, or Elizabeth I, or Charlemagne: what insights would we have into the daily life of the "common folk," the farmers and shopkeeper, housewives and schoolchildren . . . what sources of information for historians and scholars, collectors and dealers, what models for artists and designers. In 1895, Montgomery Ward was the oldest, largest, and most representative mail-order house in the country. The brainchild of a former traveling salesman, it issued its first catalogue in 1872, a one-page listing of items. By 1895, the catalogue, reprinted here, had grown to 624 pages and listed some 25,000 items, almost all of them illustrated with live drawings. Montgomery Ward was by then a multi-million dollar business that profoundly affected the American economy; and since it reached the most isolated farms and backwoods cabins, its effect on American culture was almost as great. Now once again available, it is our truest, most unbiased record of the spirit of the 1890s. An introduction on the history of the Montgomery Ward Company and its catalogue has been prepared especially for this edition by Boris Emmet, Ph.D. (Johns Hopkins), a foremost expert on retail merchandising. His monumental work Catalogues and Counters has long been recognized as a landmark in the study of American economic history.

The country's leading authority on use of artifactual evidence in historical research collects twenty-five classic essays and gives his overview of the field of material culture.

Winner of the Herbert Feis Prize from the American Historical Association Winner of the AFGAGMAS Biennial Book AwardWinner of the Science Award from the American Foundation for Gender and Genital Medicine From the time of Hippocrates until the 1920s, massaging female patients to orgasm was a staple of medical practice among Western physicians in the treatment of "hysteria," an ailment once considered both common and chronic in women. Doctors loathed this time-consuming procedure and for centuries relied on midwives. Later, they substituted the efficiency of mechanical devices, including the electric vibrator, invented in the 1880s. In The Technology of Orgasm, Rachel Maines offers readers a stimulating, surprising, and often humorous account of hysteria and its treatment throughout the ages, focusing on the development, use, and fall into disrepute of the vibrator as a legitimate medical device.

The Gilded Age—the time between Reconstruction and the Spanish-American War—marked the beginnings of modern America. The advertising industry became an important part of selling the American Dream. Americans dined out more than ever before, and began to take leisure activities more seriously. Women's fashion gradually grew less restrictive, and architecture experienced an American Renaissance. Twelve narrative chapters chronicle how American culture changed and grew near the end of the 20th century. Included are chapter bibliographies, a timeline, a cost comparison, and a suggested reading list for students. This latest addition to Greenwood's American Popular Culture Through History series is an invaluable contribution to the study of American popular culture. American Popular Culture Through History is the only reference series that presents a detailed, narrative discussion of U.S. popular culture. This volume is one of 17 in the series, each of which presents essays on Everyday America, The World of Youth, Advertising, Architecture, Fashion, Food, Leisure Activities, Literature, Music, Performing Arts, Travel, and Visual Arts

In a work that is both a fascinating social history and an engagingly written guide to the use of historical source material, the authors illuminate the quantititative methodology of social history which allows scholars to study groups of people and aspects of history previously ignored.

"Provides new insights into how enslaved and freed Africans in the New World navigated racialized landscapes while honoring the memories of their dead."--Laurie A. Wilkie, coauthor of Sampling Many Pots: An Archaeology of Memory and Tradition at a Bahamian Plantation "Turner's unique hybrid approach makes this book a valuable resource in the study of the African diaspora."--Rosalyn Howard, author of Black Seminoles in the Bahamas The Anglican Church established St. Matthew's Parish on the eastern side of Nassau to accommodate a population increase after British Loyalists migrated to the Bahamas in the 1780s. The parish had three separate cemeteries: the churchyard cemetery and Centre Burial Ground were for whites, but the Northern Burial Ground was officially consecrated for nonwhites in 1826 by the Bishop of Jamaica. In Honoring Ancestors in Sacred Space, Grace Turner posits that the African-Bahamian community intentionally established this separate cemetery in order to observe non-European burial customs. Analyzing the landscape and artifacts found at the site, Turner shows how the community used this space to maintain a sense of social and cultural belonging despite the power of white planters and the colonial government. Although the Northern Burial Ground was covered by storm surges in the 1920s, and later a sidewalk was built through the site, Turner's fieldwork reveals a wealth of material culture. She points to the cemetery's location near water, trees planted at the heads of graves, personal items left with the dead, and remnants of food offerings as evidence of mortuary practices originating in West and Central Africa. According to Turner, these African-influenced ways of memorializing the dead illustrate W. E. B. Du Bois's idea of "double consciousness"--the experience of existing in two irreconcilable cultures at the same time. Comparing the burial ground with others in Great Britain and the American colonies, Turner demonstrates how Africans in the Atlantic diaspora did not always adopt European customs but often created a separate, parallel world for themselves. A volume in the Florida Museum of Natural History: Ripley P. Bullen Series