Four more toe-curling tales of sexy young women being roughly taken by insatiable, hugely hung monsters. Volume 2 includes: “The Ultimate Sensation” – Pleasure-seeking heiress Jasmine is spending the summer living it up on the tropical island paradise of Vilau, whose jungles are said to be home to the Panlopa, a shockingly well-endowed Sasquatch-like monster-man. Jasmine scoffs at the stories, but when the natives decide to offer her up to the Panlopa to be its new mate, she soon learns how real the monster is…and she finally finds the ultimate pleasure she has long sought! “Caught” – Emmaline’s special bond with canines has always served her well in her job as Tucks Mills’ dog catcher. But that bond sends her life spinning in an unexpected new direction when she meets a handsome stranger who captivates her like no other man she’s ever met. What she doesn’t know is that he’s a werewolf on the hunt for just the right woman for him and his two packmates to mate with…and Emmaline is clearly the one! After catching the dog catcher in a trap of their own, the three virile, well-hung werewolves roughly have their way with her, one after another. “Intrusion” – Married scientists Monty and Nerissa think they’re about to make history with a new invention that offers glimpses of alternate dimensions. But during the device’s trial run, a hulking monster appears in the lab, and when it lays eyes on Nerissa, its only aim is to have its way with her. After his attempt to stop the alien intruder leaves him pinned beneath a piece of heavy equipment, Monty can only watch, helpless and horrified yet strangely aroused, as the hugely hung brute claims his wife…and in the process gives her pleasure light-years beyond anything she has ever felt with her nerdy husband. “Orced Raw” – After finding evidence of orc activity near the border of her forest homeland, Elara the elvish ranger sets out to investigate. When she recklessly gets too close to their lair, the petite warrior is captured and taken to their arena, where she learns that she has been chosen to become the tribe’s latest broodmare and must now face off against every healthy male orc of the tribe in a battle/mating ritual. In the process, it emerges that her hatred of the orcs masks other, more shameful feelings, and as the brawny, well-hung monsters overwhelm her and roughly have their way with her, she finds herself wracked with bliss the likes of which she has never felt before.

Four tales of sexy young woman screaming in mingled pain and pleasure as they’re roughly taken by insatiable, hugely hung monsters. Included in this bundle are: Unstoppable - Lacey is a Space Marine, trained to be tough, trained to fight. But all her training won’t help her when she finds herself alone and on the run from a hulking, massively hung alien monster in a remote research base. Her laser rifle won’t stop it. Grenades won’t stop it. The base’s titanium-reinforced doors won’t stop it. Nothing will stop it until it gets what it wants—to roughly have its way with the sexy young soldier. Taken by the Ogres – Furious at being forced into an arranged marriage, Arabella Stroud runs away from home to teach her overbearing father a lesson. But she makes the mistake of cutting through Stonemouth Forest, where she learns a lesson of her own when she’s captured by a trio of ogres, and the huge, well-hung brutes roughly have their way with her. Like an Animal – Dr. Celestia Devereux of W.E.I.R.D.’s Cryptozoology Division has seen her share of unusual monsters. But the group’s latest acquisition is different: The incredibly well-endowed beast clearly lusts after Celestia. Though she knows she shouldn’t, she can’t help teasing the captive monster with some tantalizing peeps of the body it wants so badly. It’s just a little good-natured fun…until the hulking creature bursts from its supposedly escape-proof cell and roughly takes the sexy scientist. Deflowered by Bigfoot - When she joined W.E.I.R.D.’s Cryptozoology Division, innocent young Tammy Underwood knew she was in for some surprising experiences. But she never imagined she would wind up buck naked in the deep woods, serving as bait in a Bigfoot hunt. Nor could she imagine that the scheme would go awry, and she would find herself completely at the mercy of the rough beastman.

Captured by her people’s ancient enemy, Elara the elf discovers forbidden pleasures at the hands of the monstrous orcs! After finding evidence of orc activity near the border of her forest homeland, Elara the elvish ranger sets out to investigate. When she recklessly gets too close to their lair, the petite warrior is captured and taken to their arena, where she learns that she has been chosen to become the tribe’s latest broodmare and must now face off against every healthy male orc of the tribe in a battle/mating ritual. In the process, she discovers that her hatred of the orcs masks other, more shameful feelings, and as the hulking, well-hung monsters overwhelm her and roughly have their way with her, she finds herself wracked with bliss the likes of which she has never felt before.

In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, T

Heartwarming and profound, this account of one writer’s relationship with his beloved German Shepherd is “one of the bonafide dog-lit classics” (New Yorker) The distinguished British man of letters J. R. Ackerley hardly thought of himself as a dog lover when, well into middle age, he came into possession of a German Shepherd. To his surprise, she turned out to be the love of his life, the “ideal friend” he had been searching for in vain for years. My Dog Tulip is a bittersweet retrospective account of their sixteen-year companionship, as well as a profound and subtle meditation on the strangeness that lies at the heart of all relationships. In vivid and sometimes startling detail, Ackerley tells of Tulip’s often erratic behavior and very canine tastes, and of his own fumbling but determined efforts to ensure for her an existence of perfect happiness. My Dog Tulip was adapted for the screen as a major animated feature film with a cast that includes the voices of Christopher Plummer, Lynn Redgrave, and Isabella Rossellini. Heralded as “a stroke of genius" by New York Magazine and “the love story of the year” by Vanity Fair, it is a masterpiece of animal literature that is sure to touch the hearts of anyone who has found companionship with their own four-legged friend.

When darkness falls, monsters come to play.Heat. Claws. Teeth.They rake over your body and draw you in.There is no one here but you and them; only their breath on your neck and your pulse throbbing in your veins.They creep from the shadows, from the darkest of dreams. They are here to take. Conquer. Claim.You know what they are, and terror seizes your breath.But you open yourself to the monsters.And you let them in.Ten exceedingly sexy short romances that will give you goosebumps in all the right places.Reticent Desire Publications and the monster-loving readers' group, Monsters, Demons & Knotting, oh My! is thrilled to present this limited-edition anthology featuring steamy encounters with creatures both paranormal and alien.Our guys may be monsters-but your heart won't be all they'll eat?.*PARTICIPATING AUTHORS*IsoellenOphelia BellNora AshL.V. LaneLeann RyansGodiva GlennLeslie ChaseV.T. BondsMerel PierceCass Alex

First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.