The Monster Squad returns home to find that not all is as it seems. Nothing could prepare them for what is about to come as they are taught a very harsh lesson. Nothing spurs the desire for revenge more than betrayal, except perhaps a threat to family. Follow along as the hunters face yet another series of challenges. Some large, some small, but all focused on the same goal…the final destruction of the Monster Squad. Just another day at the office for this clandestine group.

Enemies within, enemies without. Love gone wrong, love yet tested and love waiting to be discovered. Nothing spurs the desire for revenge more than betrayal, except maybe a perceived threat to family.Follow along as the hunters face yet another series of challenges. Some large, some small, but all focused on the same goal...the final destruction of the Monster Squad. Just another day at the office for this clandestine group.

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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Since 1968, the name of motion picture director George Romero has been synonymous with the living dead. His landmark film Night of the Living Dead formed the paradigm of modern zombie cinema; often cited as a metaphor for America during the Vietnam War and the Civil Rights movement, the film used the tenets of the drive-in horror movie genre to engage the sociophobics of late-1960s culture. Subsequently Romero has created five more zombie films, and other directors, including Tom Savini and Zack Snyder, have remade Romero's movies. This survey of those remakes examines ways in which the sociocultural contexts of different time periods are reflected by changes to the narrative (and the zombies) of Romero's original versions.