Monster Magazine, the retro horror/comic magazine, contains film reviews, comics, and monsters...lots of monsters! This is the super cool budget edition...same great magazine, but at a lower price!

This is a critical overview of monster magazines from the 1950s through the 1970s. "Monster magazine" is a blanket term to describe both magazines that focus primarily on popular horror movies and magazines that contain stories featuring monsters, both of which are illustrated in comic book style and printed in black and white. The book describes the rise and fall of these magazines, examining the contributions of Marvel Comics and several other well-known companies, as well as evaluating the effect of the Comics Code Authority on both present and future efforts in the field. It identifies several sub-genres, including monster movies, zombies, vampires, sword-and-sorcery, and pulp-style fiction. The work includes several indexes and technical credits.

UNDERWORLDS is a tri-annual paperback magazine that seeks to create a bridge between crime fiction (especially, but not neccesarily exclusively, of the noir school) and horror fiction. Because of its general air of emotional and psychological darkness, as well as its frequent themes of hopelessness, betrayal and passions gone wrong, the crime fiction of such writers as Jim Thompson, Cornell Woolrich and David Goodis shares a lot of resonance with horror fiction (some of the above referenced writers have produced what could arguably called horror fiction in the past, like Thompson's ending to THE GETAWAY and his novel THE KILLER INSIDE ME). UNDERWORLDS (a double edged title, as it has different-yet-similar meanings in both crime and horror fiction) seeks to allow writers the opportunity to explore the nexus between these two genres, and gives readers of both genres a glimpse into the world of the other.

Voting and elections may often be cited as the most entertaining aspect of political theatre, however, it is the arena of public policy that has the most direct impact on the lives of the citizenry. And as we have seen played out in recent debates over healthcare reform, policy changes can be dramatic, sweeping, and often hotly contested. Known for providing a trusted and comprehensive overview of the policy process, B. Guy Peters returns with the ninth edition of American Public Policy: Promise and Performance. Beyond walking students through the governmental structures and policy-making procedures, Peters efficiently covers a wide swath of policy areas, and then concludes with a look at both cost-benefit analysis and ethical analysis. Framed in context of the aftermath of the financial crisis and Great Recession, the ninth edition considers how policy has been impacted by persistent unemployment and growing income inequality. In addition, Peters discusses the strain on education budgets, increased oversight of financial activities, fiscal policies meant to stimulate the economy, and the political challenge of balancing the budget in light of increased public spending.

In our first issue since #550, we serve up a fresh helping of funny for spring! Don’t miss it!

Between 1946 and 1964 seventy-five million babies were born, dwarfing the generations that preceded and succeeded them. At each stage of its life-cycle, the baby boom's great size has dictated the terms of national policy and public debate. While aspects of this history are well-documented, the relationship between the baby boom and Hollywood has never been explored. And yet, for almost 40 years, baby boomers made up the majority of Hollywood's audience, and since the 1970s, boomers have dominated movie production. Hollywood and the Baby Boom weaves together interviews with leading filmmakers, archival research and the memories of hundreds of ordinary filmgoers to tell the full story of Hollywood's relationship with the boomers for the first time. The authors demonstrate the profound influence of the boomers on the ways that movies were made, seen and understood since the 1950s. The result is a compelling new account that draws upon an unprecedented range of sources, and offers new insights into the history of American movies.