What do little monsters like to wear? Daisy Hirst brings her charming wit to a silly board book for the youngest set. When monsters get up in the morning, they have to find something to wear. Simon wears socks, Darrell puts on a dress, and Terrence tries on a tomato. Meanwhile, Cassie is wearing cars and Lester has on the latest trend: leaves. What can Evie wear to outdo them all? With child-friendly art in the brightest of colors, this whimsical foray into toddler fashion will tickle the fancy of mischievous monsters everywhere.

What do little monsters like to eat? Daisy Hirst infuses a bright, funny board book with her offbeat charm. Some monsters eat peaches. Some monsters eat pears. And then there are monsters who eat only chairs. Some monsters like noodles and some prefer stew, but there’s always that one you’ll see eating a shoe, or . . . a rake? Picky little eaters, adventurous eaters, and born jokesters alike will see themselves in this comedy of cuisine, perfectly suited for the youngest (and hungriest) of listeners.

As Halloween nears, Monster tries out a variety of costumes, including a cowboy, a ballerina, and a ninja, but finally comes up with the perfect idea.

From Jack the Ripper to Frankenstein, Halloween customs to Alexander McQueen collections, Fashioning Horror examines how terror is fashioned visually, symbolically, and materially through fashion and costume, in literature, film, and real life. With a series of case studies that range from sensationalist cinema and Slasher films to true crime and nineteenth-century literature, the volume investigates the central importance of clothing to the horror genre, and broadens our understanding of both material and popular culture. Arguing that dress is fundamental to our understanding of character and setting within horror, the chapters also reveal how the grotesque and horrific is at the center of fashion itself, with its potential for instability, disguise, and carnivalesque subversion. Packed with original research, and bringing together a range of international scholars, the book is the first to thoroughly examine the aesthetics of terror and the role of fashion in the construction of horror.

Between 1989 and 1993, Ernie Glam made party clothes for Michael Alig, the New York City nightclub promoter who became known for his outlandish parties, and then for the grisly death of a friend in 1996. Dressing the Monster is a fashion memoir about the garments, parties and ideas behind Glam's and Alig's collaboration to promote and define the club kids, a group of New York City party people whose antics became widely publicized in the early 1990s.

Some of today’s favorite books are horror stories. Now readers can create some of their personal favorites on the page, using their own creativity and simple tools. Step-by-step instructions and interesting monster facts will make this a great addition to any young artist’s library.

Mornings are never easy - especially when the monsters from last night's dreams want to stay and play! Bartholomew struggles to get himself ready as the monsters from last night's dreams sabotage the most simple of morning routines. A vast purple monster sits on his chest, making it hard to get up. A slug monster slimes his clothes, so he can't get dressed. Brushing teeth, eating breakfast, and even going to the toilet all present challenges as the monsters mess around at Bartholomew's expense. Will Bartholomew's dad ever manage to get him out the door? Hilarious illustrations bring Bartholomew's frustration and befuddlement alive in this deceptively simple story that anyone who is not a morning person is bound to relate to.