By the author of the award-winning The Ghost Garden, a bravely imagined, deeply empathetic novel of two adolescent boys, bound by friendship and a terrible secret. With love and sex so deeply entwined with betrayal and abuse, how does a boy grow up? Monday Rent Boy begins in Somerset, England, in the mid-1980s, with the winning and heart-warming story of two 13-year-old friends and fellow altar boys, Arthur Barnes and Ernie Castlefrank. Endearing outcasts, they try not to speak of the secret tie that binds them: both boys are routinely preyed on by The Zipper, their nickname for Father Ziperto, the local Catholic priest. Still, they find adventure and release in the mischief they get up to together, as each also tries to survive in other ways. Arthur, a great reader and denier of reality, finds an ally in town bookseller Marina Phillips. Ernie, a gifted mathematician and animal lover, is not so lucky. As he and Arthur age out of the abuse, Ernie notices younger and equally vulnerable boys being recruited. When he tries to blow the whistle, nobody believes him. At 16, he disappears, a loss that almost destroys his best friend but also confirms for Arthur that he was smart to stay silent. Arthur eventually also turns his back on the mystery of Ernie's disappearance, but his bookselling mentor and friend Marina Phillips finds a way to follow Ernie where rage and betrayal has led him—into the darkest corners of the dark web—a search that ultimately helps Arthur reckon with what happened to them both. In the novel’s stunning, deeply affecting conclusion, Doherty draws a line directly from the covered-up abuse of children by Catholic priests to the current proliferation of child pornography and predators online—miraculously revealing the true heart of darkness while managing to affirm the light.

Colleen McCullough’s new, romantic Australian novel about four unforgettable sisters taking their places in life during the tumultuous years after World War I is “just as epic as her ultra-romantic classic, The Thorn Birds” (Marie Claire). Because they are two sets of twins, the four Latimer sisters are as close as can be. Yet each of these vivacious young women has her own dream for herself: Edda wants to be a doctor, Grace wants to marry, Tufts wants never to marry, and Kitty wishes to be known for something other than her beauty. They are famous throughout New South Wales for their beauty, wit, and ambition, but as they step into womanhood at the beginning of the twentieth century, life holds limited prospects for them. Together they decide to enroll in a training program for nurses—a new option for women of their time. As the Latimer sisters become immersed in hospital life and the demands of their training, each must make weighty decisions about love, career, and what she values most. The results are sometimes happy, sometimes heartbreaking, but always…bittersweet. Set against the background of a young and largely untamed nation, “filled with humor, insight, and captivating historical detail, McCullough’s latest is a wise and warm tribute to family, female empowerment, and her native land” (People).

V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).