During the Renaissance, the monarchy became the dominant ruling power in Europe. It was an era of formidable kings and queens who crushed the feudal rights of their nobles, defended the Catholic Church against the encroachments of Protestantism, fought self-aggrandizing wars and were great patrons of art, architecture, literature and music. This work chronicles the lives and reigns of the 42 monarchs in England, Scotland, France, Spain and the Holy Roman Empire between 1400 and 1600, presenting in the context of their era their personalities, accomplishments and failures.

What determined success or failure in Renaissance monarchy? Why was warfare endemic in Europe in the early sixteenth century and how did the great cultural and artistic changes of the period flourish amid this conflict? How did rival kings relate to each other and what steps did they each take to strengthen their monarchies? In short, how did they govern? Renaissance Monarchy approaches these and related issues in a revealing way, providing the first single-volume comparative history of the most renowned kings of the Renaissance: the Holy Roman Empire Charles V, Francis I of France and Henry VIII of England. Bringing these three kings together, out of the relative isolation in which they are each studied, adds a fresh dimension to our understanding of contemporary ideals of kingship and reveals how these monarchs strove to be regarded as great warriors, effective governors and generous patrons.

Evans (classics, U. of British Columbia) examines the history of the great emperor, whose reign marks the transition between Late Antiquity and the Byzantine period, including what is presently known about his life, the social structure of the empire, its relations with its neighbors, and naturally, its wars. It also examines theological issues, which split the empire and left deep divisions after Justinian's death. Annotation copyright by Book News, Inc., Portland, OR.

The first historical overview of the partnership between science and the state from the Scientific Revolution to World War II.

This sumptuous catalogue provides an overview of French art circa 1500, a dynamic, transitional period when the country, resurgent after the dislocations of the Hundred Years' War, invaded Italy and all media flourished. What followed was the emergence of a unique art: the fusion of the Italian Renaissance with northern European Gothic styles. Outstanding examples of exquisite and revolutionary works are featured, including paintings, sculptures, illuminated manuscripts, stained glass, tapestries, and metalwork. Exciting new research brings to life court artists Jean Fouquet, Jean Bourdichon, Michel Colombe, Jean Poyer, and Jean Hey (The Master of Moulins), all of whose creations were used by kings and queens to assert power and prestige. Also detailed are the organization of workshops and the development of the influential art market in Paris and patronage in the Loire Valley.

First published in 1984, Professor Knecht's study quickly established itself as the best short account of the period. The reigns of Francis I and Henry II, spanning the first half of the sixteenth century, are one of the most colourful and formative periods of French history. In addition to examining the nature and effectiveness of their reigns, Professor Knecht also examines their foreign policies which brought them into conflict with other major powers. For this new edition the author has added a new chapter on patronage and the arts.