From the acclaimed, award-winning author of Thank You, Mr. Nixon comes a “hilariously funny and seriously important” novel (Amy Tan) about American multiculturalism and a Chinese American teenager doing her best to fit in–even if it means converting to Judaism. In these pages, acclaimed author Gish Jen introduces us to teenaged Mona Chang, who in 1968 moves with her newly prosperous family to Scarshill, New York. Here, the Chinese are seen as "the new Jews." What could be more natural than for Mona to take this literally—even to the point of converting? As Mona attends temple "rap" sessions and falls in love (with a nice Jewish boy who lives in a tepee), Jen introduces us to one of the most charming and sweet-spirited heroines in recent fiction, a girl who can wisecrack with perfect aplomb even when she's organizing the help in her father's pancake house. On every page, Gish Jen sets our received notions spinning with a wit as dry as a latter-day Jane Austen's.

It is 1968, the dawn of ethnicity, and though some nice Chinese girls are turning more Chinese, teenaged Mona Chan is turning Jewish, much to her parents' chagrin.

This “irresistible novel” of Chinese immigrants navigating the American dream is “startling [and] heartrending, without ever losing its comic touch” (Entertainment Weekly). Gish Jen reinvents the American immigrant story through the Chang family, who first come to the United States with no intention of staying. But when the Communists assume control of China in 1949, Ralph Chang, his sister Theresa, and his wife Helen find themselves in a crisis, struggling to cling to their old-world ideas of themselves. But soon they begin to dream the American dream of self-invention. They transform, poignantly and ironically, from people who disparage all that is “typical American” to people who aspire to the American ideal. With droll humor and a deep empathy for her characters, Gish Jen creates a superbly engrossing story that sparkles with wit while challenging the reader to reconsider what it means to be a typical American. “No paraphrase could capture the intelligence of Gish Jen’s prose, its epigrammatic sweep and swiftness . . . . The author just keeps coming at you line after stunning line.” —The New York Times Book Review

In this dazzling collection of short stories, the award-winning author of the acclaimed novels Thank You, Mr. Nixon and Mona in the Promised Land—presents a "sparkling ... gently satiric look at the American Dream and its fallout on those who pursue it" (The New York Times). The stories in Who's Irish? show us the children of immigrants looking wonderingly at their parents' efforts to assimilate, while the older generation asks how so much selfless hard work on their part can have yielded them offspring who'd sooner drop out of life than succeed at it. With dazzling wit and compassion, Gish Jen looks at ambition and compromise at century's end and finds that much of the action is as familiar—and as strange—as the things we know to be most deeply true about ourselves.

The award-winning author of Thank You, Mr. Nixon and The Resisters delivers “[a] triumph of a novel.... Jen reflects America, at its best, its worst, its most vulnerable” (The Miami Herald), and asks deep questions about religion, love, home, and meaning. Hattie Kong, a retired teacher and a descendant of Confucius, has decided that it’s time to start over. She moves to the peaceful New England town of Riverlake, a place that once represented the rock-solid base of American life. Instead of quietude, Hattie discovers a town challenged by cell-phone towers, chain stores, and struggling farms. Soon Hattie is joined by an immigrant Cambodian family on the run, and—quite unexpectedly—Carter Hatch, a love from her past.

From the massively talented, award-winning author of Thank You, Mr. Nixon comes “a big story ... about families and identity and race and the American Dream.... Jen’s most ambitious and emotionally ample work yet” (The New York Times). The Wongs describe themselves as a “half half” family, but the actual fractions are more complicated, given Carnegie’s Chinese heritage, his wife Blondie’s WASP background, and the various ethnic permutations of their adopted and biological children. Into this new American family comes a volatile new member. Her name is Lanlan. She is Carnegie’s Mainland Chinese relative, a tough, surprisingly lovely survivor of the Cultural Revolution, who comes courtesy of Carnegie’s mother’s will. Is Lanlan a very good nanny, a heartless climber, or a posthumous gift from a formidable mother who never stopped wanting her son to marry a nice Chinese girl? Rich in insight, buoyed by humor, The Love Wife is a hugely satisfying work.

In three pieces originally delivered as special lectures, draws on the biography of the author's father as well as the evolution of her own work to contrast Western and Eastern ideas of self-narration and interdependency.