Never in her wildest dreams did nine-year-old Molly believe she could be loved again. Molly’s fed up with the cruel Mr and Mrs Furrows who run the orphanage. She wants out. When a mysterious palace appears outside her bedroom, she thinks ... Now’s my chance. Molly is invited to join the royal family, but there’s a catch. It involves a secret mission and magic tokens. She has only one month to complete her mission and accept the king’s invitation. If she doesn’t, will she ever get another chance to get away from Mr and Mrs Furrows? Join Molly on her adventure and discover the hidden message of the story - secret missions happen every day when you’re a child of God. A gift for you inside the book Bonus offer: download the compelling prequel - Molly’s Sudden Problem

What lies hidden in the hedge maze… and what if you find it? Princess Molly likes to follow the King’s rules. Well… most of the time. Rule #9: ‘The hedge-maze behind the palace is out-of-bounds for children under the age of thirteen.’ Molly goes in anyway. (Wouldn’t you if you’d discovered a secret map of the maze with a mysterious letter X’?) Molly’s love for adventure leads her friends, Suzie, Walter and Rich, into a scary underground tunnel and later into the woods where they become hopelessly lost. That is, until they are found… by the wrong people. Two men have been sent by the nasty Mr and Mrs Furrows to bring the children back to live in the village orphanage. Now Molly and her friends are on the run. Will Molly be able to outwit the two men with the King’s magical powers? If she can’t, they may never get home safely to the palace. Join Molly on her adventure and discover the hidden message of the story – mistakes may cause problems, but they will never stop you from being loved by the King.

"A bold outpouring of flesh and crisis at once horrifying and familiar." —The New York Times Winner of the 2018 Nommo Award for Best Novella Every time she bleeds a murderer is born. Experience the horror of Tade Thompson's The Murders of Molly Southbourne. A finalist for the 2017 BSFA Award, the 2017 Shirley Jackson Award. The rule is simple: don’t bleed. For as long as Molly Southbourne can remember, she’s been watching herself die. Whenever she bleeds, another molly is born, identical to her in every way and intent on her destruction. Molly knows every way to kill herself, but she also knows that as long as she survives she’ll be hunted. No matter how well she follows the rules, eventually the mollys will find her. Can Molly find a way to stop the tide of blood, or will she meet her end at the hand of a girl who looks just like her? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

NEW YORK TIMES BESTSELLER • Celebrated futurist Ray Kurzweil, hailed by Bill Gates as “the best person I know at predicting the future of artificial intelligence,” presents an “elaborate, smart, and persuasive” (The Boston Globe) view of the future course of human development. “Artfully envisions a breathtakingly better world.”—Los Angeles Times “Startling in scope and bravado.”—Janet Maslin, The New York Times “An important book.”—The Philadelphia Inquirer At the onset of the twenty-first century, humanity stands on the verge of the most transforming and thrilling period in its history. It will be an era in which the very nature of what it means to be human will be both enriched and challenged as our species breaks the shackles of its genetic legacy and achieves inconceivable heights of intelligence, material progress, and longevity. While the social and philosophical ramifications of these changes will be profound, and the threats they pose considerable, The Singularity Is Near presents a radical and optimistic view of the coming age that is both a dramatic culmination of centuries of technological ingenuity and a genuinely inspiring vision of our ultimate destiny.

On June 21, 1877, ten Irish-Americans were executed in the mining areas of Pennsylvania. All were accused of being members of a terror-ist group called the Molly Maguires, and all were convicted of planning and carrying out the murder of a number of mining officials. Ten more Irish-Americans were executed in Pennsylvania in the next 18 months on the same charges. One of the men executed on June 21, 1877, was Alexander Campbell, grand-uncle of the author. The Molly Maguire executions generated a great deal of contro-versy in Pennsylvania from the 1870s to the present, with Irish-Americans claiming the Mollies were framed by the mine owners, while some other ethnic. groups believe that they were guilty as charged and deserved the punishment they received. The author first heard about the execution of his grand-uncle back in the late 1940s in Dungloe, County Donegal, Ireland, and in the early 1970s, while living in New Jersey, began a fifteen year investiga-tion into the entire Molly Maguire controversy in order to determine if Alexander Campbell was guilty or innocent. A Molly Maguire Story is an account of that investigation."

Through film composer Henry Mancini, mere background music in movies became part of pop culture--an expression of sophistication and wit with a modern sense of cool and a lasting lyricism that has not dated. The first comprehensive study of Mancini's music, Henry Mancini: Reinventing Film Music describes how the composer served as a bridge between the Big Band period of World War II and the impatient eclecticism of the Baby Boomer generation, between the grand formal orchestral film scores of the past and a modern American minimalist approach. Mancini's sound seemed to capture the bright, confident, welcoming voice of the middle class's new efficient life: interested in pop songs and jazz, in movie and television, in outreach politics but also conventional stay-at-home comforts. As John Caps shows, Mancini easily combined it all in his music. Mancini wielded influence in Hollywood and around the world with his iconic scores: dynamic jazz for the noirish detective TV show Peter Gunn, the sly theme from The Pink Panther, and his wistful folk song "Moon River" from Breakfast at Tiffany's. Through insightful close readings of key films, Caps traces Mancini's collaborations with important directors and shows how he homed in on specific dramatic or comic aspects of the film to create musical effects through clever instrumentation, eloquent musical gestures, and meaningful resonances and continuities in his scores. Accessible and engaging, this fresh view of Mancini's oeuvre and influence will delight and inform fans of film and popular music. John Caps is an award-winning writer and producer of documentaries. He served as producer, writer, and host for four seasons of the National Public Radio syndicated series The Cinema Soundtrack, featuring interviews with and music of film composers. He lives in Baltimore, Maryland. A volume in the series Music in American Life

This book provides a stimulating account of the dominant cultural forms of 1950s America: fiction and poetry; theatre and performance; film and television; music and radio; and the visual arts. Through detailed commentary and focused case studies of influential texts and events - from Invisible Man to West Side Story, from Disneyland to the Seattle World's Fair, from Rear Window to The Americans - the book examines the way in which modernism and the cold war offer two frames of reference for understanding the trajectory of postwar culture. The two core aims of this volume are to chart the changing complexion of American culture in the years following World War II and to provide readers with a critical investigation of 'the 1950s'. The book provides an intellectual context for approaching 1950s American culture and considers the historical impact of the decade on recent social and cultural developments.