Molly Moccasins is a new kind of book series calling all young adventurers to read, play, think, imagine and investigate. It’s for kids of all ages, supports early learning, literacy development and it also connects young adventurers to the world of fun available to them in their everyday lives. In this story, Molly discovers that poetry is great because it can help us see, hear and feel things in all kinds of new and wondrous ways!

Molly Moccasins is a new kind of book series calling all young adventurers to read, play, think, imagine and investigate. It’s for kids of all ages, supports early learning, literacy development and it also connects young adventurers to the world of fun available to them in their everyday lives. In this story, Molly and her family discover that if they start the day with a party, they’ll have a great time looking back at the past year and forward to the new one!

Tribal histories suggest that Indigenous peoples from many different nations continually allied themselves for purposes of fortitude, mental and physical health, and creative affiliations. Such alliance building, Molly McGlennen tells us, continues in the poetry of Indigenous women, who use the genre to transcend national and colonial boundaries and to fashion global dialogues across a spectrum of experiences and ideas. One of the first books to focus exclusively on Indigenous women’s poetry, Creative Alliances fills a critical gap in the study of Native American literature. McGlennen, herself an Indigenous poet-critic, traces the meanings of gender and genre as they resonate beyond nationalist paradigms to forge transnational forms of both resistance and alliance among Indigenous women in the twenty-first century. McGlennen considers celebrated Native poets such as Kimberly Blaeser, Ester Belin, Diane Glancy, and Luci Tapahonso, but she also takes up lesser-known poets who circulate their work through social media, spoken-word events, and other “nonliterary” forums. Through this work McGlennen reveals how poetry becomes a tool for navigating through the dislocations of urban life, disenrollment, diaspora, migration, and queer identities. McGlennen’s Native American Studies approach is inherently interdisciplinary. Combining creative and critical language, she demonstrates the way in which women use poetry not only to preserve and transfer Indigenous knowledge but also to speak to one another across colonial and tribal divisions. In the literary spaces of anthologies and collections and across social media and spoken-word events, Indigenous women poets are mapping cooperative alliances. In doing so, they are actively determining their relationship to their nations and to other Indigenous peoples in uncompromised and uncompromising ways.

Acclaimed poet, Maurice Kenny, plucked Tekonwatonti/Molly Bryant from the footnotes of history. In a remarkable sequence of voices that span the centuries, Molly takes her rightful place as one of the most powerful figures in Native American history. --White Pine Press.

Coming of age in pre-World War II California and Colorado brings tragedy to Molly and Ralph Fawcett in Jean Stafford's classic semi-autobiographical novel, The Mountain Lion, first published in 1947. Torn between their mother's world of genteel respectability and their grandfather's and uncle's world of cowboy masculinity, neither Molly nor Ralph can find an acceptable adult role to aspire to. As events move to their swift and inevitable conclusion, Stafford uncovers and indicts the social forces that require boys to sacrifice the feminine in order to become men and doom intelligent girls who aren't pretty.

Presents an illustrated reference that covers the history, culture and tribal distribution of North American Indians.

Winner of the 2012 Best Critical Book Award presented by Wordcraft Circle of Native Writers and Storytellers Association This collection explores the broad range of works by Mohawk writer Maurice Kenny (1929–), a pivotal figure in American Indian literature from the 1950s to the present. Born in Cape Vincent, New York and the author of dozens of books of poetry, fiction, and essays, Kenny portrays the unique experience of Native New York and tells its history with poetic figures who live and breathe in the present. Perhaps his best known work is Tekonwatonti/Molly Brant: Poems of War. Kenny's works have received various accolades and awards. He was recognized by the Wordcraft Circle of Native Writers and Storytellers with the Elder Achievement Award, and two of his collections of poems, Blackrobe and Between Two Rivers, were nominated for the Pulitzer Prize. Kenny has also been honored with the American Book Award for The Mama Poems. His works have been recognized by National Public Radio, and have drawn the attention of famous figures such as Allen Ginsberg, Jerome Rothenberg, and Carolyn Forché. Maurice Kenny: Celebrations of a Mohawk Writer serves as a comprehensive introduction to Kenny's body of work for readers who may be unfamiliar with his writing. Written by prominent scholars in American Indian literature, the book is divided into two parts: the first is devoted to musings on Kenny's influence, and the second to traditional critical essays using historical, nationalist, Two Spirit, creative, memoir, and tribal-theoretical approaches.