In Edogawa Rampo’s "Moju: The Blind Beast", a deranged, scarred and sightless sculptor kidnaps a model and imprisons her in a psychedelic labyrinth of giant sculpted eyes and other outlandish body parts, before dismembering her in a fearful blood-orgy. Her limbs, head and torso are later found scattered throughout Tokyo. The blind killer continues his sexually-charged spree of amputation and decapitation, claiming several more victims before finally presenting his work at an acclaimed art exhibition in which the sculptures are a little too life-like for comfort... The most disturbing of Rampo’s novels, "Moju: The Blind Beast" is a classic of grinding horror and weird sex, tainted with a virulent black humour. It represents one of the earliest literary examples of the Japanese “erotic-grotesque” genre, in which such subjects as dismemberment, mutilation, coprophilia and cannibalism are presented in a perverse sexual context. This is a special ebook presentation of the first-ever English translation of Rampo’s classic.

In Edogawa Rampo's Moju: The Blind Beast, a deranged, scarred and sightless sculptor kidnaps a model and imprisons her in a psychedelic labyrinth of giant sculpted eyes and other outlandish body parts, before dismembering her in a fearful blood-orgy. Her limbs, head and torso are later found scattered throughout Tokyo. The blind killer continues his sexually-charged spree of amputation and decapitation, claiming several more victims before finally presenting his work at an acclaimed art exhibition in which the sculptures are a little too life-like for comfort... The most disturbing of Rampo's novels, Moju: The Blind Beast is a classic of grinding horror and weird sex, tainted with a virulent black humour. It represents one of the earliest literary examples of the Japanese "erotic-grotesque" genre, in which such subjects as dismemberment, mutilation, coprophilia and cannibalism are presented in a perverse sexual context. This first-ever English translation of Rampo's classic is illustrated throughout and also includes an introduction by Jack Hunter, author of Eros In Hell. Moju: The Blind Beast is a significant precursor to the prevalent Japanese horror fiction of today (such as The Ring), and as such will be of great interest to all fans of that genre in both literature and cinema.

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Embark on an exhilarating journey through the heart of the Amazon with Jules Verne's adventurous novel, "Eight Hundred Leagues on the Amazon." This captivating tale takes readers on a thrilling exploration of the vast river, its mysterious landscapes, and the vibrant cultures that inhabit its shores. As the story unfolds, follow the daring escapades of the protagonists as they navigate the challenges of the treacherous waters, encounter exotic wildlife, and confront the perils of the unknown. Verne's masterful storytelling paints a vivid picture of adventure, intrigue, and discovery, making this a classic in adventure literature. But here's the thought-provoking question that will ignite your imagination: What mysteries lie hidden beneath the surface of the Amazon River, waiting to be uncovered? Verne’s narrative invites readers to ponder the wonders of nature and the indomitable spirit of exploration. Through rich descriptions and engaging characters, "Eight Hundred Leagues on the Amazon" transports readers to a world where adventure awaits at every turn. Verne’s ability to blend factual knowledge with thrilling storytelling creates a reading experience that is both educational and entertaining. Are you ready to set sail on an unforgettable expedition through one of the world's most fascinating rivers? This novel is perfect for adventurers at heart and anyone who seeks to experience the thrill of discovery. Jules Verne’s timeless tale will captivate your imagination and inspire a sense of wonder about the natural world. Don’t miss your chance to journey into the depths of the Amazon. Purchase "Eight Hundred Leagues on the Amazon by Jules Verne" today and uncover the adventures that await!

"Outlaw Masters of Japanese Film" offers an extraordinary close-up of the hitherto overlooked golden age of Japanese cult, action and exploitation cinema from the early 1950s through to the late 1970s, and up to the present day. Having unique access to the top maverick filmmakers and Japanese genre film icons, Chris D. brings together interviews with, and original writings on, the lives and films of such transgressive directors as Kinji Fukasaku ("Battles Without Honour and Humanity"), Seijun Suzuki ("Branded to Kill") and Koji Wakamatsu ("Ecstasy of the Ange."

This collection of mystery and horror stories is regarded as Japan's answer to Edgar Allan Poe. Japanese Tales of Mystery & Imagination, the first volume of its kind translated into English, is written with the quick tempo of the West but rich with the fantasy of the East. These nine bloodcurdling, chilling tales present a genre of literature largely unknown to readers outside Japan, including the strange story of a quadruple amputee and his perverse wife; the record of a man who creates a mysterious chamber of mirrors and discovers hidden pleasures within; the morbid confession of a maniac who envisions a career of foolproof "psychological" murders; and the bizarre tale of a chair-maker who buries himself inside an armchair and enjoys the sordid "loves" of the women who sit on his handiwork. Lucid and packed with suspense, Edogawa Rampo's stories found in Japanese Tales of Mystery & Imagination have enthralled Japanese readers for over half a century. Mystery stories include: The Human Chair The Caterpillar Two Crippled Men The Traveler with the Pasted Rag Picture

In 1995, on the thirtieth anniversary of Tanizaki Jun’ichiro’s death, Adriana Boscaro organized an international conference in Venice that had an unusally lasting effect on the study of this major Japanese novelist. Thanks to Boscaro’s energetic commitment, Venice became a center for Tanizaki studies that produced two volumes of conference proceedings now considered foundational for all scholarly works on Tanizaki. In the years before and after the Venice Conference, Boscaro and her students published an abundance of works on Tanizaki and translations of his writings, contributing to his literary success in Italy and internationally. The Grand Old Man and the Great Tradition honors Boscaro’s work by collecting nine essays on Tanizaki’s position in relation to the “great tradition” of Japanese classical literature. To open the collection, Edward Seidensticker contributes a provocative essay on literary styles and the task of translating Genji into a modern language. Gaye Rowley and Ibuki Kazuko also consider Tanizaki’s Genji translations, from a completely different point of view, documenting the author’s three separate translation efforts. Aileen Gatten turns to the influence of Heian narrative methods on Tanizaki’s fiction, arguing that his classicism, far from being superficial, “reflects a deep sensitivity to Heian narrative.” Tzevetana Kristeva holds a different perspective on Tanizaki’s classicism, singling out specific aspects of Tanizaki’s eroticism as the basis of comparison. The next two essays emphasize Tanizaki’s experimental engagement with the classical literary genres—Amy V. Heinrich treats the understudied poetry, and Bonaventura Ruperti considers a 1933 essay on performance arts. Taking up cinema, Roberta Novelli focuses on the novel Manji, exploring how it was recast for the screen by Masumura Yasuzo. The volume concludes with two contributions interpreting Tanizaki’s works in the light of Western and Meiji literary traditions: Paul McCarthy considers Nabokovas a point of comparison, and Jacqueline Pigeot conducts a groundbreaking comparison with a novel by Natsume Soseki.