Mojo Mickybo - The waiting list - I won't dance - Don't ask me.

Mojo Mickybo is a fast-paced tale of two boys growing up in Belfast in the early seventies. Their friendship centres on playing headers, torturing a cantankerous old man, building hits, spitting from cinema balconies and re-enacting Butch Cassidy and the Sundance Kid.

Owen McCafferty's first collection brings together one short- and four full-length plays set in the author's home city of Belfast. Shoot The Crow 'Tragicomedy of character and circumstance that makes McCafferty look like a ribald Northern Irish Chekov.' Guardian. Scenes From The Big Picture 'An epic that attempts to put the whole of human life on stage - birth, death, love, sex, work, families - the whole damn thing... McCafferty offers us a wise and compassionate view of the human heart.' Telegraph Closing Time 'The existence of a writer as good as McCafferty induces a perverse, paradoxical hope.' Guardian Mojo Mikibo 'A razor sharp evocation of time and place.' Irish Times

Ireland and the Balkans have come to represent divided and (re)united communities. They both provide effective microcosms of national, ethnic, political, military, religious, ideological and cultural conflicts in their respective regions and, as a result, they demonstrate real and imaginary divisions. This book will specifically focus on the history, politics and literature of Bosnia-Herzegovina and Northern Ireland, while making comparative reference to some of Europe’s other disputed and divided regions. Using case-studies such as Kosovo and Serbia; Lithuania, Germany, Poland, Russia and Belarus; Greece and Macedonia, it examines ‘space’, ‘place’ and ‘border’ discourse, the topography of war and violence, post-war settlement and reconciliation, and the location and negotiation of national, ethnic, religious, political and cultural identities. The book will be of particular interest to scholars and students of cultural studies, history, politics, Irish studies, Slavonic studies, area studies and literary studies.

This collective volume provides the reader with an exploration of various artistic works which grew out of the post Celtic Tiger era in Ireland. The different cultural fields of interest studied in this book include theatre, photography, poetry, painting, and cinema, as well as commemorative spaces. These different cultural voices enable one to explore Ireland, as a country located at a crossroads, in a kind of in-between space, and to wonder about the various political, economic, historical and social forces present in the country. The contributions interrogate Irish society within its present context, which is deeply impregnated by movement and transition but also strongly connected to time, to past and to memory. This collection of essays also presents the way in which these artistic works intertwine with various approaches, artistic, aesthetic, sociologic, cinematographic, historical, and literary, in order to pinpoint the transformations induced by both the Celtic Tiger and its aftermath. The issues of globalisation, identity, place and creativity are all dealt with. In assessing the aftermath of the post Celtic Tiger period, its impact and influences on today’s Irish society, the contributors also allude, incidentally, to its future evolution and trends.

Sad and hilarious play about four Irish tilers on a building site.

- he hadn't forgotten i was there - he just didn't care whether i was there or not - it would've been better him forgetting rather than not caring at all Gerry and Iggy face the ends of their lives in a London hostel. As they drift from present concerns - the funeral of an old drinking partner, the relative sizes of their swollen livers, tube routes, street names, God and the lure of Belfast - to remembering ghosts from long ago, we catch a poignant glimpse of what might have been. Owen McCafferty's The Absence of Women, heartrending and darkly comic in turn, premiered at the Lyric Theatre, Belfast, in February 2010.