This book encapsulates the recent debate on the concepts of modernity and postmodernity. Arguments over modernism and its aftermath are traced to their origins in art, architecture and literature. The authors then focus on the contribution of sociology to this cultural dispute through the theories of Weber, Simmel, Habermas, Lyotard and Baudrillard. Throughout, Theories of Modernity and Postmodernity demonstrates the connections between traditional problems of sociological theory and the contemporary debate around modernity.

Modernity and Postmodern Culturecritically assesses claims made about the 'postmodernization' of culture and society and explores the complex interplay between the modern and the postmodern in an increasingly ‘globalized world’. The author argues that although culture may be 'postmodern' in terms of art, entertainment and everyday life, modernity still exists and is pervasive. The second edition is revised throughout, updating the literature and viewing international events through a modernist/postmodernist gaze. The theories of Baudrillard, Beck, Castells, Giddens, Jameson, Lyotard and others are discussed and specific issues concerning architecture, theme parks, screen culture, science, technology and the environment are examined. Topics include: Postmodern architecture and the hyperreality of Disney How poststructuralist theory questions modern rationality and reason The relations between postmodern culture, global capitalism and the technological changes brought about by electronics and computing The network society The book is key reading for students on courses in cultural politics, cultural theory, popular culture and sociology.

This book, for the first time, examines in depth the link between modernism and postmodernism and demonstrates the extensive similarities, as well as the few crucial differences between the ideas and art of the Dadaists on the one hand, and those of contemporary postmodern thinkers and artists on the other.

"The twelve essays in Modernity and Mass Culture provide a broad and captivating overview of what has come to be known as culture studies." --Texas Journal This is a wide-ranging analysis of the relationship among industrialization, democracy, and art in the 20th century. U.S. and British scholars discuss the interaction of "high," "popular," and "mass" art, showing how Western culture as a whole is affected by the transition from the modern to the postmodern era.

The book deals with film, television, information technology, consumer products and popular literature, and assesses challenges to conceptions of the postmodern based on gender, race and religion.

Is modernity being replaced by an opposite culture of postmodernity, or is postmodernism simply an internal critique of modernist culture? This key question is central to this stimulating book which explores the transformations taking place in social life, cultural preferences, economic organization and political attitudes, particularly in the context of the contemporary city as a lived or written experience. This book contains accounts of the development of modern ways of life and their erosion in the 20th century. The author argues that a whole set of modern institutions, from the corporation to the novel, are being exposed to internal critique and external competition. As a result, new ways of seeing and thinking are moving us into what some observers see as postmodern culture. However, these tendencies may in fact be the continuation of modernity by other means.

"One of the most comprehensive and intelligent postmodern critics of art and literature, Huyssen collects here a series of his essays on pomo . . . " —Village Voice Literary Supplement " . . . his work remains alert to the problematic relationship obtaining between marxisms and poststructuralisms." —American Literary History " . . . challenging and astute." —World Literature Today "Huyssen's level-headed account of this controversial constellation of critical voices brings welcome clarification to today's murky haze of cultural discussion and proves definitively that commentary from the tradition of the German Left has an indispensable role to play in contemporary criticism." —The German Quarterly " . . . we will certainly have, after reading this book, a deeper understanding of the forces that have led up to the present and of the possibilities still open to us." —Critical Texts " . . . a rich, multifaceted study." —The Year's Work in English Studies Huyssen argues that postmodernism cannot be regarded as a radical break with the past, as it is deeply indebted to that other trend within the culture of modernity—the historical avant-garde.