"This desperately needed book will have special pertinence for the generation that has come of age since the idea of the Great Society withered and has been educated with little notion of the place that intelligently planned urban housing must have in any humane polity. . . . Modernity and Housing also offers a refresher course in the principles behind this century's most noteworthy attempts at establishing new urban communities. Six successful examples in the United States and Europe (three from the 1920s, three from the 1970s) are accorded the same clearheaded analysis in a series of detailed case studies that underscore the multiplicity of options that must be considered in our fragmented society." -- Martin Filler, "New York Times Book Review" Starting from the question of how the design of modern housing can be successful, Peter Rowe explores the social, cultural, and expressive history of housing at two crucial moments: the first large-scale developments along modernist lines in the 1920s, and the widespread reconsideration of modernist principles in the 1970s. Although the inquiry is conducted along historical and theoretical lines, it proposes to uncover practical principles that may guide the design of modern housing, each principle responding to a contemporary architectural paradox posed by modern conditions. Six detailed case studies form the illustrative centerpiece of the book.

Eastern European prefabricated housing blocks are often vilified as the visible manifestations of everything that was wrong with state socialism. For many inside and outside the region, the uniformity of these buildings became symbols of the dullness and drudgery of everyday life. Manufacturing a Socialist Modernity complicates this common perception. Analyzing the cultural, intellectual, and professional debates surrounding the construction of mass housing in early postwar Czechoslovakia, Zarecor shows that these housing blocks served an essential function in the planned economy and reflected an interwar aesthetic, derived from constructivism and functionalism, that carried forward into the 1950s. With a focus on prefabricated and standardized housing built from 1945 to 1960, Zarecor offers broad and innovative insights into the country's transition from capitalism to state socialism. She demonstrates that during this shift, architects and engineers consistently strove to meet the needs of Czechs and Slovaks despite challenging economic conditions, a lack of material resources, and manufacturing and technological limitations. In the process, architects were asked to put aside their individual creative aspirations and transform themselves into technicians and industrial producers. Manufacturing a Socialist Modernity is the first comprehensive history of architectural practice and the emergence of prefabricated housing in the Eastern Bloc. Through discussions of individual architects and projects, as well as building typologies, professional associations, and institutional organization, it opens a rare window into the cultural and economic life of Eastern Europe during the early postwar period.

After World War II, France embarked on a project of modernization, which included the development of the modern mass home. At Home in Postwar France examines key groups of actors — state officials, architects, sociologists and tastemakers — arguing that modernizers looked to the home as a site for social engineering and nation-building; designers and advocates of the modern home contributed to the democratization of French society; and the French home of the Trente Glorieuses, as it was built and inhabited, was a hybrid product of architects’, planners’, and residents’ understandings of modernity. This volume identifies the “right to comfort” as an invention of the postwar period and suggests that the modern mass home played a vital role in shaping new expectations for well-being and happiness.

In the wake of the Great Recession, housing and its financing suddenly re-emerged as questions of significant public concern. Yet both public and academic debates about housing have remained constricted, tending not to explore how the evolution of housing simultaneously entails basic forms of socio-spatial reproduction and underlying tensions in the political order. Drawing on cutting edge perspectives from urban studies, this book grants renewed, interdisciplinary energy to the housing question. It explores how housing raises a series of vexing issues surrounding rights, identity, and justice in the modern city. Through finely detailed studies that illuminate national and regional particularities- ranging from analyses of urban planning in the Soviet Union, the post-Katrina reconstruction of New Orleans, to squatting in contemporary Lima - the volume underscores how housing questions matter in a wide range of contexts. It draws attention to ruptures and continuities between high modernist and neoliberal forms of urbanism, demonstrating how housing and the dilemmas surrounding it are central to governance and the production of space in a rapidly urbanizing world.

As oil-rich countries in the Middle East are increasingly associated with soaring skyscrapers and modern architecture, attention is being diverted away from the pervasive struggles of social housing in those same urban settings. Social Housing in the Middle East traces the history of social housing—both gleaming postmodern projects and bare-bones urban housing structures—in an effort to provide a wider understanding of marginalized spaces and their impact on identities, communities, and class. While architects may have envisioned utopian or futuristic experiments, these buildings were often constructed with the knowledge and skill sets of local workers, and the housing was in turn adapted to suit the modern needs of residents. This tension between local needs and national aspirations are linked to issues of global importance, including security, migration, and refugee resettlement. The essays collected here consider how culture, faith, and politics influenced the solutions offered by social housing; they provide an insightful look at how social housing has evolved since the 19th century and how it will need to adapt to suit the 21st.

An analysis of the New York professional milieu between the Wall Street Crash of 1929 and the aftermath of WWII reveals an unexpected scenario, in which diverse branches of technical culture and professional and institutional spheres often overlap, and initiatives in the field of architecture are characterised by tensions between designers and technicians, which pave the way for issues of architects’ autonomy, responsibility and social roles in the New Deal. From an initial portrayal of William Lescaze (1896–1969) as an unconventional figure “straddling two continents,” this book challenges a long-established interpretation that sees Lescaze exclusively as promoter of the International Style canons in the United States. Moving beyond it, this book focuses on the role that the Swiss architect played in defining the main features of New York social housing and in the evolution that marks the encounter between European modernity and an American federal scene still profoundly tied to local conventions. From an initially difficult status as an émigré to his involvement in decisional processes and bureaucratic organisations, Lescaze’s professional progress coincides with the gradual acceptance of European forms and models, which, little by little, became part of the institutional language related to public housing which would remain prevalent in New York City until the end of WWII. Drawing from yet-unpublished archival sources pertaining to two fields – housing and architecture – which have traditionally been separate in American historiography, this book sheds light on many crucial issues in a branch of architecture that is particularly relevant today.

In Modern Middle-Class Housing in Tehran – Reproduction of an Archetype, Rana Habibi offers an engaging analysis of the modern urban history of Tehran during the Cold War period: 1945–1979. The book, while arguing about the institutionalism of modernity in the form of modern middle-class housing in Tehran, shows how vernacular archetypes found their way into the construction of new neighborhoods. The trajectory of ideal modernism towards popular modernism, the introduction of modern taste to traditional society through architects, while tracing the path of transnational models in local projects, are all subjects extensively expounded by Rana Habibi through engaging graphical analyses and appealing theoretical interpretations involving five modern Tehran neighborhoods.