This book is Lash's most comprehensive statement in social and cultural theory. It is a book addressed to sociologists and philosophers, to students of urban life, modern languages, cultural studies and the visual arts. Alongside the Enlightenment has emerged another modernity. This second modernity has - in opposition to the Enlightenment rationality of progress, order, homogeneity and cognition - initiated a different rationality of uncertainty, transience, experiment, and the unknowable. This second, this other modernity, is present in notions of 'difference' and 'reflexivity' so central to the contemporary world-view. The logic, however, of such notions can, itself, lead to the same unhappy abstraction of the first modernity. What is forgotten, Scott Lash argues, is the dimension of the ground. This book consists of explorations into this ground: as place, community, belonging, sociality, tradition, life-world; as symbol, sensation, in the tactile character of the sign. The book addresses the other modernity's forgotten ground. The first and second modernities co-existed in a state of irresolvable tension along the history of western industrial capitalism. This is thrown into crisis, Lash argues, with the turn of the twenty-first century emergence of the global information culture. What are the implications of this explosion of first and second modernities into today's technological culture? When the previously existing third space of difference is exploded into the general indifference of information and communication flows? How might we lead our lives in an age in which difference - and indeed the ground itself - become primarily a matter for memory, for mourning?

The concepts of modernity and modernism are amongst the most controversial and vigorously debated in contemporary philosophy and cultural theory. In this intervention, Fredric Jameson-perhaps the most influential and persuasive theorist of postmodernity-excavates and explores these notions in a fresh and illuminating manner.The extraordinary revival of discussions of modernity, as well as of new theories of artistic modernism, demands attention in its own right. It seems clear that the (provisional) disappearance of alternatives to capitalism plays its part in the universal attempt to revive 'modernity' as a social ideal. Yet the paradoxes of the concept illustrate its legitimate history and suggest some rules for avoiding its misuse as well. In this major interpretation of the problematic, Jameson concludes that both concepts are tainted, but nonetheless yield clues as to the nature of the phenomena they purported to theorize. His judicious and vigilant probing of both terms-which can probably not be banished at this late date-helps us clarify our present political and artistic situations.

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

In this major new work, which Zygmunt Bauman calls a '"tour de force" of breathtaking erudition and clarity', Jock Young charts the movement of the social fabric in the last third of the twenthieth century from an inclusive society of stability and homogeneity to an exclusive society of change and division. Jock Young, one of the foremost criminologists of our time, explores exclusion on three levels: economic exclusion from the labour market; social exclusion between people in civil society; and the ever-expanding exclusionary activities of the criminal justice system. Taking account of the massive dramatic structural and cultural changes that have beset our society and relating these to the quantum leap in crime and incivilities, Jock Young develops a major new theory based on a new citizenship and a reflexive modernity.

Tackling important philosophical questions on modernity – what it is, where it begins and when it ends – Przemyslaw Tacik challenges the idea that modernity marks a particular epoch, and historicises its conception to offer a radical critique of it. His deconstruction-informed critique collects and assesses reflections on modernity from major philosophers including Hegel, Heidegger, Lacan, Arendt, Agamben, and Žižek. This analysis progresses a new understanding of modernity intrinsically connected to the growth of sovereignty as an organising principle of contemporary life. He argues that it is the idea of 'modernity', as a taken-for-granted era, which is positioned as the essential condition for making linear history possible, when it should instead be history, in and of itself, which dictates the existence of a particular period. Using Hegel's notion of 'spirit' to trace the importance of sovereignty to the conception of the modern epoch within German idealism, Tacik traces Hegel's influence on Heidegger through reference to the 'star' in his late philosophy which represents the hope of overcoming the metaphysical poverty of modernity. This line of thought reveals the necessity of a paradigm shift in our understanding of modernity that speaks to contemporary continental philosophy, theories of modernity, political theory, and critical re-assessments of Marxism.