The inside story of an unprecedented feat of science and business. At the start of 2020, Moderna was a biotech unicorn with dim prospects. Yes, there was the promise of its disruptive innovation that could transform medicine by using something called messenger RNA, one of the body's building blocks of life, to combat disease. But its stock was under water. There were reports of a toxic work culture. And despite ten years of work, the company was still years away from delivering its first product. Investors were getting antsy, or worse, skeptical. Then the pandemic hit, and Moderna, at first reluctantly, became a central player in a global drama—a David to Big Pharma's Goliaths—turning its technology toward breaking the global grip of the terrible disease. By year's end, with the virus raging, Moderna delivered one of the world's first Covid-19 vaccines, with a stunningly high rate of protection. The achievement gave the world a way out of a crippling pandemic while validating Moderna's technology, transforming the company into a global industry power. Biotech, and the venture capital community that fuels it, will never be the same. Wall Street Journal reporter Peter Loftus, veteran reporter covering the pharmaceutical and biotech industries and part of a Pulitzer Prize–finalist team, brings the inside story of Moderna, from its humble start at a casual lunch through its heady startup days, into the heart of the pandemic and beyond. With deep access to all of the major players, Loftus weaves a tale of science and business that brings to life Moderna's monumental feat of creating a vaccine that beat back a deadly virus and changed the business of medicine forever. The Messenger spans a decade and is full of heroic efforts by ordinary people, lucky breaks, and life-and-death decisions. It's the story of a revolutionary idea, the evolution of a cutting-edge American industry, and one of the great achievements of this century.

Here are basic texts that reveal the spirituality of the Modern Devout, especially during the early years of the movement from 1380 to 1430. The "Modern Devotion" movement, which was originated by a Dutchman, Master Geerte Grote, is the classic expression of later medieval religious life.

The Britannica Enciclopedia Moderna covers all fields of knowledge, including arts, geography, philosophy, science, sports, and much more. Users will enjoy a quick reference of 24,000 entries and 2.5 million words. More then 4,800 images, graphs, and tables further enlighten students and clarify subject matter. The simple A-Z organization and clear descriptions will appeal to both Spanish speakers and students of Spanish.

A look at how the modern woman was envisioned in postrevolutionary Mexican popular culture and how she figured in contestations over Mexican national identity.

Dança moderna 1992-2022 reúne textos do livro Dança moderna (1992) com escritos atualíssimos, incluindo imagens inéditas: as fotos da bailarina da Semana de Arte Moderna, evento que em 2022 teve seus cem anos festejados. Sob a curadoria editorial de Cássia Navas, os quatro artigos de 1922 permaneceram intactos: "As mães da modernidade" e "Klauss Vianna em São Paulo", de Cássia Navas, "As companhias estáveis" e "A experiência do Teatro de Dança no Galpão", de Linneu Dias. A eles juntam-se os capítulos: "Dança na Semana de Arte Moderna: importante desimportância", de Cássia Navas; "Dança em São Paulo hoje: continuidade e instabilidade, de 1992 a 2022", de Henrique Rochelle, e "Modernidade, dança no Recife", de Arnaldo Siqueira. Com isso, consolidam-se as escrituras da modernidade em dança (aqui incluídos o pós-moderno, o contemporâneo e até mesmo um "des-moderno" decolonial), desta vez para além de São Paulo, lançando-se uma mirada sobre a dança do Recife. A obra Dança Moderna 1992-2022 é uma realização do Programa de Ação Cultural-PROAC Mecenato Direto, por meio da Secretaria de Cultura, Economia e Indústria Criativa do Governo do Estado de São Paulo, em edital que contemplou a CÁSSIA NAVAS PRODUÇÕES CULTURAIS

In this book, Cecilia Tossounian reconstructs different representations of modern femininity from 1920s and 1930s Argentina, a time in which the country saw new economic prosperity, a growing cosmopolitan population, and the emergence of consumer culture. Tossounian analyzes how these popular images of la joven moderna--the modern girl--helped shape Argentina's emerging national identity.

In this book, Cecilia Tossounian reconstructs different representations of modern femininity from 1920s and 1930s Argentina, a complex period in which the country saw prosperity and economic crisis, a growing cosmopolitan population, the emergence of consumer culture, and the development of nationalism. Tossounian analyzes how these popular images of la joven moderna—the modern girl—helped shape Argentina’s emerging national identity. Tossounian looks at visual and written portrayals of young womanhood in magazines, newspapers, pulp fiction, advertisements, music, films, and other media. She identifies and discusses four new types of young urban women: the flapper, the worker, the sportswoman, and the beauty contestant. She shows that these diverse figures, defined by social class, highlight the tensions between gender, nation, and modernity in interwar Argentina. Arguing that images of modern young women symbolized fears of the country’s moral decadence as well as hopes of national progress and civilization, La Joven Moderna in Interwar Argentina reveals that women were at the center of a public debate about modernity and its consequences. This book highlights the important but underappreciated role of gendered figures and popular culture in the ways Argentine citizens imagined themselves and their country during a formative period of cultural and social renewal.