At the dawn of the 1930s a new empowered and liberated image of the female was taking root in popular culture in the West. This 'modern woman' archetype was also penetrating into Eastern cultures, however, challenging the Chinese and Japanese historical norm of the woman as homemaker, servant or geisha. Through a focus on the writings of the Western women who engaged with the Far East, and the Eastern writers and personalities who reacted to this new global gender communication by forming their own separate identities, Katrina Gulliver reveals the complex redefining of the self taking place in a crucial time of political and economic upheaval. Including an analysis of the work of Nobel Prize laureate Pearl S. Buck, The Modern Woman in China and Japan is an important contribution to gender studies and will appeal to historians and scholars of China and East Asia as well as to those studying Asian and American literature.

This book rewrites the history of East Asia by rethinking the contentious relationship between "Confucianisms" and "women."

In examining the links between gender and the media, this volume asks questions involving the relationship between global media flows, gender and modernity in the region.

Gender in Modern East Asia explores the history of women and gender in China, Korea, and Japan from the seventeenth century to the present. This unique volume treats the three countries separately within each time period while also placing them in global and regional contexts. Its transnational and integrated approach connects the cultural, economic, and social developments in East Asia to what is happening across the wider world. The text focuses specifically on the dynamic histories of sexuality; gender ideology, discourse, and legal construction; marriage and the family; and the gendering of work, society, culture, and power. Important themes and topics woven through the text include Confucianism, writing and language, the role of the state in gender construction, nationalism, sexuality and prostitution, New Women and Modern Girls, feminisms, "comfort" women, and imperialism. Accessibly written and comprehensive, Gender in Modern East Asia is a much-needed contribution to the study of the region.

Now an ardent advocate of natural feet, she often tells of her trials as a pioneer of the movement in Fuhkien province. "That I have the distinction of being the first girl who did not have her feet bound, is due to no effort of mine," she says, "for the neighbour women used to say, 'Rather a nice girl, but those feet!' 'Rather a bright girl, but those feet, ' and 'Those feet, ' 'Those feet' was all I heard, until I was ashamed to be seem."-from "Dr. H King Eng"In 1909, American missionary Margaret Burton traveled to China, where she met and befriended many professional women-but when she returned home, she was stunned to discover that many of her fellow Americans had no idea that such educated, accomplished women were to be found in Asia. So she set out, in this 1912 book, to introduce Westerners to a few extraordinary Chinese women, pioneers who defied longstanding cultural traditions-like the forced hobbling of foot-binding and the second-class status of women-to blaze new trails of achievement as doctors and missionaries. This is a fascinating look at women who succeeded against the longest of odds.American writer MARGARET ERNESTINE BURTON (b. 1885) also wrote The Education of Women in China (1911) and The Education of Women in Japan (1914).

The past century witnessed dramatic changes in the lives of modern Chinese women and gender politics. Whilst some revolutionary actions to rectify the feudalist patriarchy, such as foot-binding and polygyny were first seen in the late Qing period; the termination of the Qing Dynasty and establishment of Republican China in 1911-1912 initiated truly nation-wide constitutional reform alongside increasing gender egalitarianism. This book traces the radical changes in gender politics in China, and the way in which the lives, roles and status of Chinese women have been transformed over the last one hundred years. In doing so, it highlights three distinctive areas of development for modern Chinese women and gender politics: first, women’s equal rights, freedom, careers, and images about their modernized femininity; second, Chinese women’s overseas experiences and accomplishments; and third, advances in Chinese gender politics of non-heterosexuality and same-sex concerns. This book takes a multi-disciplinary approach, drawing on film, history, literature, and personal experience. As such, it will be of huge interest to students and scholars of Chinese culture and society, women's studies, gender studies and gender politics.

Barbara N. Ramusack writes on South and Southeast Asia, surveying both the prescriptive roles and the lived experiences of women, as well as the construction of gender from early states to the 1990s. Although both regions are home to Hindu, Buddhist, and Muslim religious traditions and had extended trade relations, they reveal striking differences in the status and roles of women and the processes of cultural adaptation. Sharon Sievers presents an verview of women's participation in the histories of China, Japan, and Korea from prehistory to the modern period that provides a framework for incorporating women into world history classrooms. It offers analyses on major issues derived from recent research and discusses such stereotypical cultural practices as footbinding (long seen as "exotic" in the West) in the context of women's lives. Book jacket.