According to Christians, Jesus died as part of a divine plan to save humanity and, after His death, He rose to life again. The Cross and the Crucifix define Christianity as it symbolizes all that Christians believe in. For over 2,000 years Christians across the world have meditated upon, written about, created art and thanked God for the wonder of the Cross and Crucifix. Its presence is a photographer's dream. Culled from more than 150 images, this book presents 70 photographs I have taken in various cemeteries over the last 13 years which embody the theme: "The Crucifixion of Jesus". These photographic reproductions were taken in mostly Catholic cemeteries in the United States, Mexico, Brazil, Puerto Rico and Portugal.With each photograph the shooting location and the year the photo was taken are sited along with appropriate biblical quotes on Jesus, the Lord, the crucifix and the Crucifixion as well as suitable quotes from various writers and scholars. It is apparent to me that the Catholic cemeteries have carried on the artistic tradition of depicting Christ being crucified on the Cross. This is especially true with the Hispanic culture and its families that continue to depict the crucifixion of Jesus in their cemeteries. In a way they have created their own art form that exemplifies this important event. It is my hope my photographs show Christian art in a positive way and provides salvation to the readers as they page through the book.John T. Hanou

Why are religious visions believed only in certain times and places? In this book William Christian investi gates the settings and responses to a series of group visions reported by Spaniards in rural Galicia, Valencia, Cantabria, and Navarre in the early part of this century the most notable one involving the crucifix at Limpias, where Jesus was first seen agonizing on the cross during a mission service in March of 1919. In light of the social strife and strong anticlerical movements of the period, the author examines how gender and religious politics influenced the experiences of seers and the interpretation of their visions by church officials, journalists, and the public. Christian approaches the story inductively, from the visionaries and the parish to the religious orders, diocesan officials, and Vatican envoys. He places the events in the context of mission dramaturgy and pilgrimages to Lourdes, and shows their ramifications in Italy, Mexico, the United States, France, and Central Europe. Using oral testimony, church archives, local newspaper accounts, and apologetic literature, Christian finds that some observers related the moving crucifixes to a logical, millenarian sequence that included earlier apparitions in France; for others they were divine reactions to national political events; while for many local people they were signs for the establishment of new shrines. His study reveals the preoccupations of ordinary people and how they found expression in religious images. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Renowned pastor-theologian Gregory A. Boyd tackles the BibleÕs biggest dilemma. Ê The Old Testament God of wrath and violence versus the New Testament God of love and peaceÑitÕs a difference that has troubled Christians since the first century. Now, with the sensitivity of a pastor and the intellect of a theologian, Gregory A. Boyd proposes the Òcruciform hermeneutic,Ó a way to read the Old Testament portraits of God through the lens of JesusÕ crucifixion. Ê In Cross Vision, Boyd follows up on his epic and groundbreaking study, The Crucifixion of the Warrior God. He shows how the death and resurrection of Jesus reframes the troubling violence of the Old Testament, how all of Scripture reveals GodÕs self-sacrificial love, and, most importantly, how we can follow JesusÕ example of peace.

Jesus ascended to heaven. End of story. But then how do we explain the many Christians, in nearly every century since, who claimed to have seen, heard, met, and touched Jesus in the flesh? In Seeing Jesus, Robert Hudson explores the larger-than-life characters throughout Christian history who have encountered the actual face or form of the resurrected Christ--from the apostles Thomas and Paul in the first century to Charles Finney in the nineteenth and Sundar Singh in the twentieth. Hudson combines history, biography, spiritual reflection, skepticism, and humor to unpack awe-inspiring and sometimes seemingly absurd stories, from a surprise sighting of Jesus in a cup of coffee, to Christ appearing to Julian of Norwich during a life-threatening illness to assure her that "all manner of thing shall be well." Along the way, he uncovers deeper meaning for us today. Through Hudson's quirky and lyrical prose we get to know people of unflinching faith, like Francis of Assisi, Teresa of Avila, Silouan the Athonite, and Sojourner Truth--those who claim radical encounters with Jesus. The result is a fascinating journey through Christian history that is at once thoroughly analytical and deeply devotional.

In his revolutionary book Cross Vision, Gregory A. Boyd proposed his groundbreaking "cruciform hermeneutic," a way for Christians to make sense of the violence of the Old Testament by seeing it through the crucifixion of Jesus. Now Boyd has teamed up with pastor Deacon Godsey to develop this study guide for individuals and groups. Using this guide, readers can work through Cross Vision chapter by chapter, consider various stories from the Bible, and hear from Boyd about questions that have come up since he wrote the book. The Cross Vision Study Guide is an essential aid for anyone wrestling with depictions of a violent God, yet living with faith in a peaceful Christ.

The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the controversies—along with the forms of devotion—this central symbol of Christianity inspires. Jesus’s death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ’s sacrificial love and miraculous resurrection. Over time, the symbol’s transformation raised myriad doctrinal questions, particularly about the crucifix—the cross with the figure of Christ—and whether it should emphasize Jesus’s suffering or his glorification. How should Jesus’s body be depicted: alive or dead, naked or dressed? Should it be shown at all? Jensen’s wide-ranging study focuses on the cross in painting and literature, the quest for the “true cross” in Jerusalem, and the symbol’s role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today.

What do you think of when you look at the cross and the crucifix? Do they hold sacred and religious value for you? After reading this book, your perception may change; the church's use of these symbols has for centuries concealed facts regarding their true origins. The author reveals these findings in this stunning expose. His research includes historical accounts of Christianity's conspiracy and divulges the true meaning of the cross as a satanic symbol. The author states: 'For centuries after Christ, the church and other religions that use cruciform symbols have misrepresented the physica.