This invaluable collection traces the work of nearly a hundred writers over one of the most eventful periods in Scottish literary history. An extensive introduction sets the scene for the growth of women writers from Scotland throughout the whole of the twentieth century. With over 200 poems—from Naomi Jackson, Carol Ann Duffy, Dilys Rose, Kathleen Jamie, Meg Bateman, Jackie Kay, Liz Lochhead and many others—this collection celebrates the exceptional power and range of Scottish women poets.

With the exception of pioneers such as Rachel Ann Taylor, Marion Angus, Violet Jacob and Helen Cruickshank, the best known Scottish poets of the early 20th-century were men. However, by the second half of the century it was an entirely different story, as this anthology shows. An introduction sets the scene for the growth of women writers from Scotland including Gaelic poets selected and discussed by Michel Byrne. The collection traces the work of more than 100 writers, some of whom have been forgotten, over the most eventful period in Scottish literary history. The volume goes from Mary Symon, Veronica Forrest-Thomson and Naomi Mitchinson to Sheena Blackhall, Carol Ann Duffy, Dilys Rose, Kathleen Jamie, Catriona MinGumaraid, Meg Bateman, Anne Frater, Angela McSeveney and more.

Edited and Introduced by Dorothy McMillan and Michel Byrne. ‘This is a book full of life, energy, skill and unexpected found treasure: a blend of major and minor voices which reveals the formation and verve of Scotland’s modern poetic.’ Ali Smith This invaluable collection traces the work of nearly a hundred writers over one of the most eventful periods in Scottish literary history, and an extensive introduction sets the scene for the growth of women writers from Scotland throughout the whole of the twentieth century. With over 200 poems – from Naomi Mitchison, Carol Ann Duffy, Dilys Rose, Kathleen Jamie, Meg Bateman, Jackie Kay, Liz Lochhead and many more – this collection celebrates the exceptional power and range of Scottish women poets. ‘It is a crucial anthology, exciting and dynamic. It feels revolutionary.’ Sunday Herald ‘This is an ambitious and brilliant collection that both illuminates the female component of a scene dominated by men and establishes a tradition through them that further illuminates their work. It is . . . a celebration of women whose reputations have grown steadily, as well as an indication of a broader confidence across Scottish writing.’ Libby Brooks, Guardian

The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.

From social and political issues to found poems, Gibson's fresh, evocative (and sometimes provocative) writing is both modern and timeless. These poems spring from taxis, supermarkets and long car drives through the wind and rain. They spring from fantasies, daydreams, nightmares, from love and hate, but, above all, they exalt and enhance everyday experiences.

This is the first comprehensive critical analysis of Scottish women's writing from its recoverable beginnings to the present day. Essays cover individual writers - such as Margaret Oliphant, Nan Shepherd, Muriel Spark and Liz Lochhead - as well as groups of writers or kinds of writing - such as women poets and dramatists, or Gaelic writing and the legacy of the Kailyard. In addition to poetry, drama and fiction, a varied body of non-fiction writing is also covered, including diaries, memoirs, biography and autobiography, didactic and polemic writing, and popular and periodical writing for and by women.

This book contains a selection of the finest work from three of Scotland's best-known and best-loved poets. They have fascinated and charmed thousands of readers and listeners across Europe and America with the energy, humor and compassion of their vision.