Richly illustrated and clearly focused, this book surveys the genesis, development, and culmination of modern European/American painting, sculpture, architecture, and conceptual art--from postimpressionism through the most recent developments in the twenty-first century.

Nicole Alexander's new bestseller is a sweeping rural saga spanning two generations. In 1923 nineteen-year-old Jack Manning watches the construction of the mighty Harbour Bridge and dreams of being more than just a grocer's son. So when he's offered the chance to manage Absolution Creek, a sheep property 800 miles from Sydney, he seizes the opportunity. But outback life is tough, particularly if you're young, inexperienced and have only a few textbooks to guide you. Then a thirteen-year-old girl, Squib Hamilton, quite literally washes up on his doorstep - setting in motion a devastating chain of events... Forty years later and Cora Hamilton is waging a constant battle to keep Absolution Creek in business. She's ostracized by the local community and hindered by her inability to move on from the terrible events of her past, which haunt her both physically and emotionally. Only one man knows what really happened in 1923. A dying man who is riding towards Absolution Creek, seeking his own salvation... From the gleaming foreshores of Sydney Harbour to the vast Australian outback, this is a story of betrayal and redemption and of an enduring love which defies even death.

Essay by Robert Storr. Foreword by Glenn D. Lowry.

Since its founding in 1929, The Museum of Modern Art in New York has brought the history of modern and contemporary art to vivid life through its extraordinary holdings. MoMA Masterpieces provides a fresh look at the Museum's exceptional collection as it stands today. Ann Temkin's introduction addresses the historical construction of the Museum's collection and explores the shifting issues that have guided its acquisitions, while the thoughtful selection of reproduced works highlights the range of artworks and ideas that constitute the evolving foundation of the Museum's collection. With 126 years spanning the distance between the works on the first and last pages of this book, MoMA Masterpieces offers an unparalleled opportunity to immerse oneself in the multitude of artistic approaches encompassed under the banner of modern art.

Endgame provides the first comprehensive discussion of two interrelated groups of artists who have recently emerged amidst brisk critical debate and who all, in various ways, represent a critique of the commodity, or the commodification of art objects.

The distinguished curator, critic, collector, art historian, and teacher William Rubin was a forceful presence for over two decades at The Museum of Modern Art (MoMA) from the late 1960s through the 1980s.