Modern Murders is the first comprehensive study of murder representations during the turn of the century, drawing on previously neglected archival material to explore the intellectual, cultural, and artistic contexts of the period. Most studies view the abundance of murder representations throughout the nineteenth century as an indicator of a supposedly typical Victorian appetite for sensation and melodrama. Modern Murders, however, demonstrates the turn of the century's backlash against melodramatic and sensational representations of murder and reads them as an important component in the struggles for better aesthetic standards in art and entertainment, and as a dominant feature in the debates on mass culture. Through a plethora of visual and written texts, representations of fictional and actual "real life" murders, and "high" and "popular" forms of writing, the volume considers the importance of murder in the elite claim to cultural authority versus its perception of plebian taste, in the context of the democratization of culture. This book will be of value to scholars and graduate students in a variety of research areas, as well as general readers interested in the role of murder as a central trope in modern art and culture.

In 1935, the deaths of Isabella Ruxton and Mary Rogerson were reported in newspapers worldwide. But behind the headlines was a different, more important story: the groundbreaking work of Scottish forensic scientists who developed new techniques to solve the case and shape the future of scientific criminal investigation.

The quintessential international genre, detective fiction often works under the guise of popular entertainment to expose its extensive readership to complex moral questions and timely ethical dilemmas. The first book-length study of Japan’s detective fiction, Murder Most Modern considers the important role of detective fiction in defining the country’s emergence as a modern nation-state. Kawana explores the interactions between the popular genre and broader discourses of modernity, nation, and ethics that circulated at this pivotal moment in Japanese history. The author contrasts Japanese works by Edogawa Ranpo, Unno Juza, Oguri Mushitaro, and others with English-language works by Edgar Allan Poe, Dashiell Hammett, and Agatha Christie to show how Japanese writers of detective fiction used the genre to disseminate their ideas on some of the most startling aspects of modern life: the growth of urbanization, the protection and violation of privacy, the criminalization of abnormal sexuality, the dehumanization of scientific research, and the horrors of total war. Kawana’s comparative approach reveals how Japanese authors of the genre emphasized the vital social issues that captured the attention of thrill-seeking readers-while eluding the eyes of government censors. Sari Kawana is assistant professor of Japanese at the University of Massachusetts, Boston.

"Superb... Flanders's convincing and smart synthesis of the evolution of an official police force, fictional detectives, and real-life cause célèbres will appeal to devotees of true crime and detective fiction alike." -Publishers Weekly, starred review In this fascinating exploration of murder in nineteenth century England, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction Murder in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama-even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other-the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell. In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder in Great Britain, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare's bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London's East End. Through these stories of murder-from the brutal to the pathetic-Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.

'Absolutely gripping. Impeccably researched and written with the pace and narrative drive of a thriller, but attentive too to the dignity of the victims.' - Daragh Carville, creator of ITV's The Bay The true story of the shocking 1930s murder case, and the revolutionary investigation that changed forensics forever. Lancaster, 1935. In a jealous rage, Dr Buck Ruxton kills his wife, Isabella, and their children's nanny, Mary, before dismembering the bodies in the bathtub. When walkers discover the remains scattered in a ravine in the Scottish Borders, police are confronted with a gruesome jigsaw puzzle that they must piece together – not only to give the women their names back, but also to catch their killer. Using new research, Jeremy Craddock tells the full story of this landmark case in British criminal history. The Jigsaw Murders brings to life Dr Ruxton, the investigators, the legal figures, and silent witnesses Isabella and Mary, recreating the dramatic scenes that shook the world.

Gatsby-era glamour, a swoon-worthy love story, and an indomitable heroine dazzle in this romp that captures the extravagance of the Roaring Twenties and the dangers of vigilante justice. A ravishing young mind reader stalks the streets at night in kitten heels, prowling for men to murder. A soft-spoken genius toils away in the city morgue, desperate to unearth the science behind his gift for shapeshifting. It’s a match made in 1928 Chicago, where gangsters run City Hall, jazz fills the air, and every good girl’s purse conceals a flask. Until now, eighteen-year-old Ruby’s penchant for poison has been a secret. No one knows that she uses her mind-reading abilities to target men who prey on vulnerable women, men who escape the clutches of Chicago “justice.” When she meets a brilliant boy working at the morgue, his knack for forensic detail threatens to uncover her dark hobby. Even more unfortunately: sharp, independent Ruby has fallen in love with him. Waltzing between a supernaturally enhanced romance, the battle to take down a gentleman’s club, and loyal friendships worth their weight in diamonds, Ruby brings defiant charm to every page of Murder for the Modern Girl—not to mention killer fashion. An irresistible caper perfect for fans of The Gentleman’s Guide to Vice and Virtue, in an exquisite hardcover package with rose-gold foil. A Junior Library Guild Gold Standard Selection Named to the Pennsylvania Young Readers Choice List