Modern Marriage and the Lyric Sequence investigates the ways in which some of our best poets writing in English have used poetic sequences to capture the lived experience of marriage. Beginning in 1862 with George Meredith’s Modern Love, Jane Hedley’s study utilizes the rubrics of temporality, dialogue, and triangulation to bring a deeply rooted and vitally interesting poetic genre into focus. Its twentieth- and twenty-first-century practitioners have included Edna St. Vincent Millay, Robert Lowell, Rita Dove, Eavan Boland, Louise Glück, Anne Carson, Ted Hughes, Claudia Emerson, Rachel Zucker, and Sharon Olds. In their poetic sequences the flourishing or failure of a particular marriage is always at stake, but as that relationship plays out over time, each sequence also speaks to larger questions: why we marry, what a marriage is, what our collective stake is in other people’s marriages. In the book’s final chapter gay marriage presents a fresh testing ground for these questions, in light of the US Supreme Court’s affirmation of same-sex marriage.

The Victorian writer George Meredith completed Modern Love, his most famous poem, in the months following his wife’s death in 1861. The series of 16-line sonnets (a stanzaic form Meredith invented) depicts isolated scenes in an unhappy marriage as both partners take lovers. At the time, Meredith’s long poem was savaged by critics both for its style and for its “diseased” content. In this century, however, it has been lauded as a complex and extraordinarily powerful exploration of the realities of Victorian marriage.

Die neue englischsprachige Reihe zur Mediävistik strebt eine methodisch reflektierte, anspruchsvolle Verbindung von Text- und Kulturwissenschaft an. Sie widmet sich den kulturellen Grundthemen der mittelalterlichen Welt aus der Perspektive der Literatur- und Geschichtswissenschaft. ‚Grundthemen' sind die kulturprägenden Denkbilder, Weltanschauungen, Sozialstrukturen und Alltagsbedingungen des mittelalterlichen Lebens, also z. B. Kindheit und Alter, Sexualität, Religion, Medizin, Rituale, Arbeit, Armut und Reichtum, Aberglauben, Erde und Kosmos, Stadt und Land, Krieg, Emotionen, Kommunikation, Reisen usw. Die Reihe greift wichtige aktuelle Fachdiskussionen auf und stellt ein Forum der interdisziplinären Mittelalter-Forschung dar. Fundamentals of Medieval and Early Modern Culture steht Sammelbänden ebenso offen wie Monographien. Intention ist immer, kompendienhafte Werke zu zentralen Fragen der mittelalterlichen Kulturgeschichte vorzulegen, die einen soliden Überblick über einen geschlossenen Themenkreis aus der Perspektive verschiedener Fachdisziplinen vermitteln. Im Ganzen bietet die Reihe so eine Enzyklopädie der mittelalterlichen Literatur- und Kulturgeschichte und ihrer Hauptthemen. Es werden ca. zwei Bände pro Jahr erscheinen.

The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.

- Increased content on screening for family violence and abuse and mental health assessment - A suite of point of view videos demonstrating core health assessment techniques for some of the difficult skills and concepts related to health assessment examinations

Love begets poetry; poetry begets love. So thinkers from Plato onwards have claimed; and even today, when poetry has largely disappeared from the mainstream of popular culture, it is still commonly considered the most seductive of all forms of art. But why should this be? What are the connections between poetry and love that lead us to associate them so strongly with one another? In this study Erik Gray draws on a broad range of Western thought and poetry to reveal the qualities and structures that love and poetry share. Above all, he argues, both are founded on paradox. Love is at once necessarily public (because interpersonal) and intensely private; hence love both requires expression and resists it. Likewise the experience of love is simultaneously surprising and familiar, singular and conventional. In poetry, especially lyric poetry - which is similarly both dependent on and resistant to language, both exceptionally regular and exceptionally irregular - love finds a natural outlet. The Art of Love Poetry illuminates many of the recurrent tropes that poets across the centuries have employed to represent and express love, exploring such topics as the poetic kiss, the lyric of conjugal love, and the role of animals in love poetry. In describing the inherent erotics of poetry, it offers new insights not only into the long tradition of love lyric but into the nature of love itself.

This collection explores how situations of authority, governance, and influence were practised through both gender ideologies and affective performances in medieval and early modern England. Authority is inherently relational it must be asserted over someone who allows or is forced to accept this dominance. The capacity to exercise authority is therefore a social and cultural act, one that is shaped by social identities such as gender and by social practices that include emotions. The contributions in this volume, exploring case studies of women and men's letter-writing, political and ecclesiastical governance, household rule, exercise of law and order, and creative agency, investigate how gender and emotions shaped the ways different individuals could assert or maintain authority, or indeed disrupt or provide alternatives to conventional practices of authority.