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"This 1925 comedy of manners that's funny yet also unorthodox and unsettling... a celebration of abnormality and at the same time a disquieting study of both the pleasures and the pains of not being able to restrain oneself." - Evening Standard When four guests, all invited by different members of the Bliss family, arrive for a weekend at their country house near Maidenhead, they're expecting a idyllic retreat. But this peaceful promise is quickly trounced when the self-absorbed eccentricities of the Blisses are trained on the guests, who leave the country mansion humiliated and embarrassed. First produced in 1925, Hay Fever is a technical masterpiece, seamlessly combining high farce with a comedy of manners, and delivering Coward his first major commercial success. This new edition is published in Methuen Drama's iconic Modern Classics series to coincide with the 125th anniversary of Coward's birth and features a new introduction by Michael Billington.

“A wry, funny and touching meditation on loneliness, that private shame of the singleton in the era of the dating app and of fraudulent boasting on social media ... written with a real depth of insight, humour, compassion and a keen sense of the ridiculous...” The Independent It's the early hours of the morning in the aftermath of Laura's housewarming party. Danny, 42, divorced and living with his mother, is the last remaining guest. The flat is in a mess and so are they. One more drink? This sharp and astute two-hander takes an intimate look in real-time at the first fragile moments of risking your heart and taking a chance. Both comedic and tender, it asks questions about mutual loneliness and human connections. Beginning premiered at the National Theatre, London in October 2017. This new Modern Classics edition features an introduction by Sarah Grochala.

Generation is both an introduction to and a comparative study of contemporary psychoanalytic clinical theory. It provides the reader with a comprehensive overview of how new ways of thinking about the psychoanalytic process have evolved and are still in development today. Jean White presents a detailed study of contemporary Independent, Lacanian and post-Kleinian theory, set within the wider context of the international expansion of psychoanalysis. Contemporary clinical practice is discussed in relation to concepts of psychopathology, transference and countertransference and innovations in technique. Each school’s explicit and implicit models of psychic growth and their view of the aims of the psychoanalytic process are explored. Written in clear, accessible language and interwoven throughout with clinical vignettes, Generation provides an invaluable initiation into the work of notoriously difficult authors such as Lacan and Bion. This stimulating presentation of contemporary psychoanalytic theory will be of great interest to psychoanalytic psychotherapists, psychodynamic counsellors and psychoanalysts of all theoretical orientations.

First critical study of prize-winning French author Marie NDiaye.

"Noel Coward's glittering gem" - The Times Elyot Chase and Amanda Prynne, recently divorced from one another after a five-year marriage, coincidentally arrive at the same French hotel... where they are both honeymooning with their respective new spouses. Jarred by this encounter, Elyot and Amanda realise that they still very much horrified and fascinated by the other. Frequently performed and revived in the West End, Private Lives is comedy of manners that remains one of Coward's most popular plays. This new edition is published in Methuen Drama's iconic Modern Classics series to coincide with the 50th anniversary of Coward's death and features a new introduction by Simon Stephens.