This lost classic by Leslie A. White represents twenty-five years of his scholarship on the anthropology of modern capitalism. Drawing out his now classic formulations of social organization, cultural evolution, and the relationship between technology, ecology, and culture, this major theoretical work traces a vast expanse of history from the earliest forms of capitalism to the detailed inner workings of contemporary democratic institutions. The abridged version of Modern Capitalist Culture delivers all of White’s major arguments in a clear and concise manner. A substantial foreword by Burton J. Brown, Benjamin Urish, and Robert Carneiro both situates this posthumous work within the history of anthropological theory and shows its importance to contemporary debates within the discipline.

This lost classic by famous anthropological theorist Leslie A. White, published now for the first time, represents twenty-five years of his scholarship on the anthropology of modern capitalism. Drawing out his now classic formulations of social organization, cultural evolution, and the relationship between technology, ecology, and culture, this major theoretical work traces a vast expanse of history from the earliest forms of capitalism to the detailed inner workings of contemporary democratic institutions. A substantial foreword by Burton J. Brown, Benjamin Urish, and Robert Carneiro both situates this posthumous work within the history of anthropological theory and shows its importance to contemporary debates within the discipline.

Evolutionism and Its Critics is a critical history of evolutionary theories in the social sciences and a defense of them against their many critics. Sanderson deconstructs not only the wide array of social evolutionary theories, but the criticisms of the antievolutionists. Deconstructing evolutionary theories means laying bare their fundamental epistemological, methodological, conceptual, and theoretical assumptions and principles. Deconstructing antievolutionism means showing just where and how the critics have, for the most part, gone wrong. But Evolutionism and Its Critics aims to reconstruct as well as deconstruct and does this by building on the shoulders of past giants of evolutionary theorizing a comprehensive evolutionary interpretation of human society based on abundant scientific and historical evidence.

Histories of Anthropology Annual presents diverse perspectives on the discipline's history within a global context. Critical, comparative, analytical, and narrative studies involving all aspects and subfields of anthropology are included.øVolume 3 features critical and biographical studies of Sir Richard Burton, Frank Hamilton Cushing, J. N. B. Hewitt, Stephen Leacock, Antänor Firmin, and Leslie A. White. Analytical topics include applied and collaborative anthropologies, Edward Sapir's phonemic poetics, mercantile proto-capitalism, the Delaware Big House ceremony, and race and racism in anthropology.

Few figures in modern American anthropology have been more controversial or influential than Leslie A. White (1900?1975). Between the early 1940s and mid-1960s, White?s work was widely discussed, and he was among the most frequently cited American anthropologists in the world. After writing several respected ethnographic works about the Pueblo Indians, White broke ranks with anthropologists who favored such cultural histories and began to radically rethink American anthropology. As his political interest in socialism grew, he revitalized the concept of cultural evolution and reinvigorated comparative studies of culture. His strident political beliefs, radical interpretive vision, and often combative nature earned him enemies inside and outside the academy. His trip to the Soviet Union and participation in the Socialist Labor Party brought him to the attention of the FBI during the height of the Cold War, and near-legendary scholarly and political conflicts surrounded him at the University of Michigan. ø Placing White?s life and work in historic context, William J. Peace documents the broad sociopolitical influences that affected his career, including many aspects of White?s life that are largely unknown, such as the reasons he became antagonistic toward Boasian anthropology. In so doing, Peace sheds light on what made White such a colorful figure as well as his enduring contributions to modern anthropology.

There has been a significant surge in recent Argentine cinema, with an explosion in the number of films made in the country since the mid-1990s. Many of these productions have been highly acclaimed by critics in Argentina and elsewhere. What makes this boom all the more extraordinary is its coinciding with a period of severe economic crisis and civil unrest in the nation. Offering the first in-depth English-language study of Argentine fiction films of the late twentieth century and early twenty-first, Joanna Page explains how these productions have registered Argentina’s experience of capitalism, neoliberalism, and economic crisis. In different ways, the films selected for discussion testify to the social consequences of growing unemployment, rising crime, marginalization, and the expansion of the informal economy. Page focuses particularly on films associated with New Argentine Cinema, but she also discusses highly experimental films and genre movies that borrow from the conventions of crime thrillers, Westerns, and film noir. She analyzes films that have received wide international recognition alongside others that have rarely been shown outside Argentina. What unites all the films she examines is their attention to shifts in subjectivity provoked by political or economic conditions and events. Page emphasizes the paradoxes arising from the circulation of Argentine films within the same global economy they so often critique, and she argues that while Argentine cinema has been intent on narrating the collapse of the nation-state, it has also contributed to the nation’s reconstruction. She brings the films into dialogue with a broader range of issues in contemporary film criticism, including the role of national and transnational film studies, theories of subjectivity and spectatorship, and the relationship between private and public spheres.

Studying six Islamic states in detail, Ayubi encompasses innovative material on sex and the family, and on the emerging alternative economic and social networks of Islamic banks, schools, and hospitals in those states.