"Explores poetry in the British Isles from the early nineteenth century until the late twentieth century ..."--P. [4] of cover.

"Examines early British poetry from the 7th century into the 19th century, including short biographies of poets like William Shakespeare and John Donne; also examples of poems, poetic techniques, and explication"--Provided by publisher.

This is the first study to examine the Arabic translations of a number of major modern poems in the English language, in particular T. S. Eliot's The Waste Land and Walt Whitman's Song of Myself. With case studies dedicated to the Arab translators who were themselves modernist poets, including Badr Shakir al-Sayyab and Saadi Yusuf, the author brings a reading of the translations as literary works in their own right. Revealing why the Arab modernists were drawn to these poems through situational context, Ghareeb Iskander shows that the influence exerted by the English originals stems from the creative manner in which the Arab poet-translators converted them into their own language.

Does what is true depend on where you are? or, can we speak of a British culture which varies gradually over the 600 miles from one end of the island to the other, with currents gradually mutating and turning into their opposites as they cross such a distance? In Centre and Periphery in Modern British Poetry Andrew Duncan (a published poet himself) identifies distinctive traditions in three regions of the Britsh Isles providing a polemic tour of Scotland, Wales, and the North of England while revealing the struggle for ‘cultural assets’. The book exposes the possibility that the finest poets of the last 50 years have lived in the outlands, not networking and neglecting to acquire linguistic signs of status. Centre and Periphery in Modern British Poetry provides insightful accounts of major poets such as Sorley Maclean, Glyn Jones, Colin Simms, and Michael Haslam.