The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by João Guimarães Rosa. The remaining 34 authors include Mário de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry. The anthology is divided into four major periods, "Tropical Belle-Époque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mário de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubião), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nélida Piñón), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.

A colorful collection of short stories written by contemporary authors from Brazil

The seventeen stories in this anthology have been carefully chosen to provide a wide, representative range of recent and contemporary Brazilian themes and styles. The scenes vary from a nearly abandoned village or a ranch in the northeastern backlands to the streets of Rio and Sao Paulo. The characters, equally diverse, embrace wealthy land-owners, middle-class merchants, cowboys, thieves and prostitues. There is a diversity too in modd. Especially striking is the irony found in most of these stories. Characteristic of much of the best Brazilian fiction from Machado de Assis to Guimaraes Rosa, this irony tempers the underlying warmth of the stories with a certain wryness. Incidentally, Guimaraes Rosa, the giant of contemporary Brazilian fiction, is represented in this collection by an unconventional and unforgettable little masterpiece, "The Third Bank of the River." Brazilian humor is siad to be much like North American humor. In any case, it is here in abundance, variously mordant, hilarious, casual, homely, nostalgic, and, in Graciliano Ramos's story of an inept thief, almost Chaplinesque. But there is also a certain voluptuous melancholy, the much bruited tristeza brasileira. In such stories as "My Father's Hat," it blend with the humor to produce and enchantment profoundly Brazilian in ton and feeling. "The Crime of the Mathematics Professor" is a strange plunge into the mystery of a man's sense of guilt. With this sole exception, the stories in the present anthology are thoroughly Brazilian and yet, by a sort of mass literary miracle, universal. The reader may find the setting and the manners exotic at times, but he will understand the people. For there is a pervasive humanity in Brazil's best writers and, even when the "local color" is striking, they are never merely parochial. When their settings are provincial it is because the provinces are where they can see the human comedy most vividly. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

The Human Tradition in Modern Brazil makes the last two centuries of Brazilian history come alive through the stories of mostly non-elite individuals. The pieces in this lively collection address how people experienced historical continuities and changes by exploring how they related to the rise of Brazilian national identity and the emergence of a national state. By including a broad array of historical actors from different regions, ethnicities, occupations, races, genders, and eras, The Human Tradition in Modern Brazil brings a human dimension to major economic, political, cultural, and social transitions. Because these perspectives do not always fit with the generalizations made about the predominant attitudes, values, and beliefs of different groups, they bring a welcome complexity to the understanding of Brazilian society and history.

A fabled country with a reputation for danger, romance and intrigue, Brazil has transformed itself in the past decade. This title, written by the go-to journalist on Brazil, intimately portrays a country of contradictions, a country of passion and above all a country of immense power.