Delving into the landscapes and politics of twentieth- and twenty-first-century South, East, and West Yorkshire, Modern and Contemporary Yorkshire Poetry: Cultural Identities, Political Crises theorises Yorkshire as a distinct region of poetry in its own right. In outlining the commonalities and parameters of this branch of poetry, Modern and Contemporary Yorkshire Poetry engages the work with a selection of poets writing in and about the region since 1945, including Philip Larkin, Ted Hughes, Simon Armitage, Helen Mort, Zaffar Kunial, Kate Fox, and Vicky Foster. Charting the developments in Yorkshire poetry, this book explores several key contexts – including deindustrialisation, the Miners’ Strikes, and Brexit – in detail, evidencing the impacts of these sociopolitical events on the poetry of a region. Modern and Contemporary Yorkshire Poetry investigates 75 years of poetry to ask the question: what is Yorkshire poetry? In other words, what is it that connects poems by these writers, whilst setting them apart from poetry of other UK regions?

This edited volume aims to reposition intertextuality in relation to recent trends in critical practice. Inspired by the work of Sara Ahmed in particular, our authors explore and reconfigure classic theories of authorship, influence and the text (including those by Roland Barthes, Michel Foucault and Harold Bloom), updating these conversations to include intersectionality specifically, broadly understood to include gendered, racial and other forms of social justice including disability, and the progressive impact of the transmission and transformation of texts. This diverse volume includes discussions of major canonical works such as James Joyce’s Ulysses alongside the recent contemporary literature by authors such as Siri Husvedt and Maggie O’Farrell, as well as theoretical interventions. This volume also engages with how intertextuality can facilitate interdisciplinary and ekphrastic thinking and representation, as the inspiration of music and the visual arts for texts and their transmission is addressed. The choice of intertexts become deliberately political, ethical and artistic signifiers for the authors discussed in this volume, and our contributors are thus enabled to address topics ranging from visual impairment to Shakespearean motherhood to the influence of Jazz culture on writing on the Northern Irish Troubles.

Ian Parks presents a collection that showcases the best of today's Yorkshire poets, featuring writers such as Maurice Rutherford and Helen Mort.

Indian literature is produced in a wealth of languages but there is an asymmetry in the exposure the writing gets, which owes partly to the politics of translation into English. This book represents the first comprehensive political scrutiny of the concerns and attitudes of Indian language literature after 1947 to cover such a wide range, including voices from the cultural margins of the nation like Kashmiri and Manipuri, that of women alongside those of minority and marginalised communities. In examining the politics of the writing especially in relation to concerns like nationhood, caste, tradition and modernity, postcoloniality, gender issues and religious conflict, the book goes beyond the declared ideology of each writer to get at covert significations pointing to widely shared but often unacknowledged biases. The book is deeply analytical but lucid and jargon-free and, to those unfamiliar with the writers, it introduces a new keenness into Indian literary criticism to make its objects exciting.

Unorthodox Minds in Contemporary Fiction seeks to provide an overview of the ways in which broadly understood contemporary fiction envisions, explores and engenders minds going beyond the classical models. The opening essay discusses the complex relationships between such innovative concepts of the mind and experimental techniques for presenting mentality. The chapters which follow focus on (dis)embodied and/or extended mind, virtuality of avatar minds, intermental thought of reader communities, the capability of artificial intelligence (and humans) for genuine selfless love, the interplay between technology and affect in posthuman consciousness. The books under discussion include Murmur by Will Eaves, The Unfortunates by B.S. Johnson, The Satanic Verses by Salman Rushdie, H(A)PPY by Nicola Barker and Machines Like Me by Ian McEwan. A piece of conceptual fiction by Steve Tomasula, one of the most innovative American novelists of our times, exploring the human mind’s alleged power to transcend its biological limits, complements these scholarly inquiries.

This volume argues that contemporary narratives evince a great deal of resilience by promoting an ecology of attention based on poetic options that develop an ethics of the particularist type. The contributors draw on critical and theoretical literature hailing from various fields: including psychology and sociology, but more prominently phenomenology, political philosophy, analytical philosophy (essentially Ordinary Language Philosophy), alongside the Ethics of Care and Vulnerability. This volume is designed as an innovative contribution to the nascent field of the study of attention in literary criticism, an area that is full of potential. Its scope is wide, as it embraces a great deal of the Anglophone world, with Britain, Ireland, the USA, but also Australia and even Malta. Its chapters focus on well-established authors, like Kazuo Ishiguro (whose work is revisited here in a completely new light) or more confidential ones like Melissa Harrison or Sarah Moss.

This book likens writers’ incessant focus on racism, negative ethnicity, patriarchy and social stratification in societies to a naïve physician who prescribes analgesics to treat symptoms while the underlying cause of the disease seethes in the blood. In the same way, persons who consistently blame their reckless conduct and shabbiness miss the point if they do not transform the actual cause of the problem: the mind. While most literary scholars problematise gender disparities, racial and political othering, oppression, environment degradation, education matters, poor parenting and governance, they tend to disregard the root cause: modernism. This book finds a gap in this grey area to address the authentic cause of the symptoms that most literary writers and scholars treat. Pertinent modernist tenets such as bureaucracy, the nation state, systematisation and rationality, and dualism are at the heart of racism, corruption and other aforementioned symptoms. It is the contention of this study that postmodernism offers a comprehensive understanding of modernism to mitigate its effects on society.