This textbook, the first comprehensive comparative study ever undertaken, surveys and compares the world’s ten largest diplomatic services: those of Brazil, China, France, Germany, India, Japan, Russia, Turkey, the United Kingdom, and the United States. Chapters cover the distinctive histories and cultures of the services, their changing role in foreign policy making, and their preparations for the new challenges of the twenty-first century.

Reflects various advances in scholarship.

Including chapters from some of the leading experts in the field this Handbook provides a full overview of the nature and challenges of modern diplomacy and includes a tour d'horizon of the key ways in which the theory and practice of modern diplomacy are evolving in the 21st Century.

History does not run in straight lines. Instead of inevitable progress, what we get is more often false starts, blind alleys, random events, good intentions that go wrong. Robert Cooper's incisive and elegant book is therefore not a continuous diplomatic history. Richelieu and Mazarin inhabited a 16th-century world we can hardly imagine today, but it is from their time that we can begin to see the outline of today's Europe. The Ambassadors includes a brilliant analysis of the people who built the Western side of the Cold War. Henry Kissinger is a pivotal figure in the post-war world, and his story is in some ways typical: he failed in his most important aims and succeeded in ways he never expected. Robert Cooper's pieces together history and considers the illuminating fragments it leaves behind.

To defeat your enemies you must know them well. In wartime, however, enemy codemakers make that task much more difficult. If you cannot break their codes and read their messages, you may discover too late the enemy's intentions. That's why codebreakers were considered such a crucial weapon during World War II. In Secret Messages, David Alvarez provides the first comprehensive analysis of the impact of decoded radio messages (signals intelligence) upon American foreign policy and strategy from 1930 to 1945. He presents the most complete account to date of the U.S. Army's top-secret Signal Intelligence Service (SIS): its creation, its struggles, its rapid wartime growth, and its contributions to the war effort. Alvarez reveals the inner workings of the SIS (precursor of today's NSA) and the codebreaking process and explains how SIS intercepted, deciphered, and analyzed encoded messages. From its headquarters at Arlington Hall outside Washington, D.C., SIS grew from a staff of four novice codebreakers to more than 10,000 people stationed around the globe, secretly monitoring the communications of not only the Axis powers but dozens of other governments as well and producing a flood of intelligence. Some of the SIS programs were so clandestine that even the White House—unaware of the agency's existence until 1937—was kept uninformed of them, such as the 1943 creation of a super-secret program to break Soviet codes and ciphers. In addition, Alvarez brings to light such previously classified operations as the interception of Vatican communications and a comprehensive program to decrypt the communications of our wartime allies. He also dispels many of the myths about the SIS's influence on American foreign policy, showing that the impact of special intelligence in the diplomatic sphere was limited by the indifference of the White House, constraints within the program itself, and rivalries with other agencies (like the FBI). Drawing upon military and intelligence archives, interviews with retired and active cryptanalysts, and over a million pages of cryptologic documents declassified in 1996, Alvarez illuminates this dark corner of intelligence history and expands our understanding of its role in and contributions to the American effort in World War II.

""I am not a propagandist," declared the matriarch of American modern dance Martha Graham while on her State Department funded-tour in 1955. Graham's claim inspires questions: the United States government exported Graham and her company internationally to over twenty-seven countries in Europe, Eastern Europe, the Middle East, the Near and Far East, and Russia representing every seated president from Dwight D. Eisenhower through Ronald Reagan, and planned under George H.W. Bush. Although in the diplomatic field, she was titled "The Picasso of modern dance," and "Forever Modern" in later years, Graham proclaimed, "I am not a modernist." During the Cold War, the reconfigured history of modernism as apolitical in its expression of "the heart and soul of mankind," suited political needs abroad. In addition, she declared, "I am not a feminist," yet she intersected with politically powerful women from Eleanor Roosevelt, Eleanor Dulles, sister of Eisenhower's Dulles brothers in the State Department and CIA, Jackie Kennedy Onassis, Betty Ford, and political matriarch Barbara Bush. While bringing religious characters on the frontier and biblical characters to the stage in a battle against the atheist communists, Graham explained, "I am not a missionary." Her work promoted the United States as modern, culturally sophisticated, racially and culturally integrated. To her abstract and mythic works, she added the trope of the American frontier. With her tours and Cold War modernism, Graham demonstrates the power of the individual, immigrants, republicanism, and, ultimately freedom from walls and metaphorical fences with cultural diplomacy with the unfettered language of movement and dance"--

As a distinguished and admired American diplomat of the last half century, Burns has played a central role in the most consequential diplomatic episodes of his time: from the bloodless end of the Cold War and post-Cold War relations with Putin's Russia to the secret nuclear talks with Iran. Here he recounts some of the seminal moments of his career, drawing on newly declassified cables and memos to give readers a rare, inside look at American diplomacy in action, and of the people who worked with him. The result is an powerful reminder of the enduring importance of diplomacy. -- adapted from jacket