Presents a coherent model for understanding historical examples in Ancient Rome and their rhetorical, moral and historiographical functions.

Historical examples played a key role in ancient Roman culture, and Matthew B. Roller's book presents a coherent model for understanding the rhetorical, moral, and historiographical operations of Roman exemplarity. It examines the process of observing, evaluating, and commemorating noteworthy actors, or deeds, and then holding those performances up as norms by which to judge subsequent actors or as patterns for them to imitate. The model is fleshed out via detailed case studies of individual exemplary performers, the monuments that commemorate them, and the later contexts - the political arguments and social debates - in which these figures are invoked to support particular positions or agendas. Roller also considers the boundaries of, and ancient alternatives to, exemplary modes of argumentation, morality, and historical thinking. The book will engage anyone interested in how societies, from ancient Rome to today, invoke past performers and their deeds to address contemporary concerns and interests.

A study of identity and social change in the Roman empire and the relationship of this knowledge to understanding of the contemporary world.

An introduction to how the history of Rome was written in the ancient world, and its impact on later periods. It presents essays by an international team of scholars that aim both to orient non-specialist readers to the important concerns of the Roman historians and also to stimulate new research.

"The well-known mythographer Marina Warner has described the process of reading fairy tales and folktales as 'tasting the dragon's blood' - a magical and transformative process by which one's ears are opened to the voices of the past and of other worlds. Roman exempla, which constitute a national story-telling tradition, are very different in many ways from the dream-like fantasies of fairy-tales and other narrative folk traditions that have been the subject of Warner's studies. In (supposedly) true stories from history, battle-hardened warriors, noble maidens and honourable sons of the soil face impossible dangers, take terrible decisions and sacrifice their lives, their limbs and even their own children for the sake of justice, discipline and the Roman community. Yet for the ancient Romans too, hearing the blood-soaked stories of their ancestral heroes was an intimate and potent experience, and this 'taste of the hero's blood' had an intoxicating effect similar to the blood of Warner's dragon: evoking other worlds, shaping understanding of their own world"--

The tendency of ancient Romans to look to mythical and historical figures for role models is everywhere evident in their surviving literary and material culture. This book broadens the horizon of the long-standing scholarly interest in role models in several ways, looking beyond the more familiar famous heroes---such as Achilles and Alexander the Great---and the paternal figures, both mythological and historical, that gave inspiration to later leaders and authors. From the adoption of specific aspects of a favored role model, to the creation of new visual languages for different social groups, to the deliberate counter of common models, this collection demonstrates the importance of exemplary figures in inspiring imitation and assimilation in the creation of new identities. Featuring world-renowned scholars and essays from a broad range of fields, including literature, art, and historiography, Role Models in the Roman World is a groundbreaking collection at the cusp of the newest scholarship of the classical world. "Role Models in the Roman World is an exciting collection, striking for the interdisciplinary range of its contributors and for their vigorous debates---indeed, strong disagreements---about ideas that are currently of fundamental importance in Roman studies: identity construction, exemplarity, memory, monumentality. In framing these crucial issues, and in displaying the range and diversity of current approaches to them, this collection will be useful to every student of the Roman world." ---Matthew Roller, Professor of Classics, Johns Hopkins University "This collection covers a full range of topics, from how the Romans interpreted their origins from the ashes of Troy on through themes in Roman literature, historiography, declamation, and art, ending with how Christians may have defined their self-presentation in part through reference to earlier, non-Christian models. The editors have shown themselves wonderfully adept at their task, and the result is a uniformly fine volume that will be widely consulted." ---Anthony Corbeill, Professor and Graduate Advisor, Department of Classics, University of Kansas "Significant essays by leading archaeologists, philologists, and art historians on a theme of central importance in the Roman world." ---Barbara Kellum, Professor and Chair, Department of Art, Smith College Jacket illustration: Side view of statue of Togato Barberini © Araldo de Luca/CORBIS

This study in the language of Roman imperialism provides a provocative new perspective on the Roman imperial project. It highlights the prominence of the language of mastery and slavery in Roman descriptions of the conquest and subjection of the provinces. More broadly, it explores how Roman writers turn to paradigmatic modes of dependency familiar from everyday life - not just slavery but also clientage and childhood - in order to describe their authority over, and responsibilities to, the subject population of the provinces. It traces the relative importance of these different models for the imperial project across almost three centuries of Latin literature, from the middle of the first century BCE to the beginning of the third century CE.